Trick for LearningTarot

Far too many people worry about reading tarot cards the “right” way. There are actually far more helpful reading techniques, depending on the situation. It is also believed that when reading for others the reader must do what the client expects. This all too often means to predict the future and tell people how to obtain their desires. Is the job of a foot doctor to cure lung cancer? As readers we have a right, even an obligation, to discover what we do best and to offer that in readings both for ourselves and for others. The task becomes learning what we do best and offering that with clarity and confidence.

One of the tricks I have found to be very successful is to regularly complete challenges and by using the cards to kick start story telling.

Recently I have been working on a project helping Aussie Wildlife learn about tarot and I have found that drawing Australian wildlife in tarot settings has helped refine my knowledge of the cards

Big Red is the King of Wands

For example, in response to the Tarot Storytelling Spread I drew the Big Red Kangaroo as the King of Wands.

Kangaroo’s are herbivorous. They reside throughout Australia, Tasmania and New Guinea. Kangaroos have powerful, long hind legs and feet for leaping and jumping with. Their long tails thicken at the base to help them balance. Each of their hind feet has 4 toes, this number represents foundations.

This big Red Kangaroo, proudly wearing his crown of authority, has the power to create a safe and secure environment for his mob. The Red Kangaroo has an innate capacity to adapt to new situations and environments. Kangaroos are extremely focused beings, with their energy fields tightly woven around them with no room for distractions. 

If hunted by a Dingo, human or a rare Tasmanian tiger, the Big Reds are very fast and hop effortlessly to safety without a moments thought about where they are going. They use their strong instincts to guide them.

For us humans, there is a great lesson to be learned from this – instead of thinking about every single, most minute step we take we must let our instincts guide us.

The Spirit of the Fungi

I pause to commune with the serene spirit of the Fungi. She may live in darkened places but her light shines brightly and she is full of wisdom. 

“For millennia, western thinking has been dominated by the idea that we are separate from, and superior to, the rest of nature. Plants and fungi are seen as dumb, mechanical processes that we can plunder for materials and chemicals without considering how we relate to them. Other cultures see other lifeforms as peers. They are viewed as creatures deserving of respect and from whom we might be able to learn something. 

From our human-centered perspective, fungi seem rather inert and unimpressive. They don’t move much and seem to be uninteresting passive objects rather than intelligent beings. Just because they don’t move, however, doesn’t mean they don’t have behavior”. 

Life as we know it would not exist without fungi. They are the critical link in the biological cycle of life and death. 

Fungi are the great recyclers. They play a major part, with prokaryotes such as bacteria, in breaking down organic matter. Without them we would soon be up to our ears in dead plant matter and animal carcasses. Worse still, we would be surrounded by mountains of dung that would not rot. 

Plants would soon run out of fresh nutrients. Animals in turn would go hungry. 

There would be no forests. Few people realize that trees rely on networks of fungi working in partnership with their roots. Without fungi to make nutrients available, trees would be unable to survive. Consider the many roles trees play in supporting life on earth and you’ll realize the importance of this union. 

Reference: The Fungus Amongst Us

A Fools Journey

Once upon a time, long before there was once upon a time, an old crone decided that she needed to make one final creative journey and add another star to the constellation in the skies that shone within her private universe. She was not in the least surprised when a Raven and a Donkey insisted on coming along, for they had travelled with her before.

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What did startle her was the arrival of a flamboyant, charismatic Sulphur Crested Cockatoo named Bonnie. She suspected that Bonnie was one of the flocks that had raided her beloved Ornamental Pistachio Tree each year because she was quite sure that she had seen and photographed a bird, with attitude, who looked just like her.

Duncan the Donkey made it clear that he was getting too old to carry heavy loads and while the Crone agreed that it would be good to travel lightly she did ask Duncan to carry some of her art supplies and made sure to tuck a few of her Tarot and Oracle cards into her bag. She had relied on them during the long ‘lockdowns’ and wasn’t about to go anywhere without her most trusted ones.

Bonnie’s sharp eye caught a glimpse of these boxed treasures and, because she is such an inquisitive bird, wanted to know more about them. The Crone began to explain the Major Arcana to her and was surprised to discover that Bonnie was more fascinated than any of her human friends had been.

“Perhaps you will teach me about these Majors as we travel” said Bonnie.

“What a good idea” said the Crone. “There is so much that I am yet to learn and we could always learn together”.

A Fools Journey

Brand Bonnie

From the Crone’s Diary

Other material of interest

Interested in Mythic Journey’s? Check out the work of Christopher Vogler and his book The Writers Journey

Getting to Know The Lions Gateway Tarot

Benebell Wen’s review of the Lions Gateway Tarot by Jessica Henry is comprehensive. Some tarot readers bond with a deck by ‘interviewing’ it, but another way to get to know a deck is to use it for a month long challenge such as the Once Upon a Tarot Challenge. In this case I am using the Sakki Sakki Tarot to help develop a character but you can always take the journey to help gain self awareness or to gain focus and set goals.

Tarot Play Time – Play Theatre

I think I am not the only one intrigued by the picturesque of early Tarot cards. What do they really represent? Who drew them? Who put all these icons together?

Then I saw Dario Fo, the great Italian comedian of Comedia dell Arte, play writer and Nobel Prize winner, acting on stage playing the hilarious figure of a barbarous Pope (I cannot recall who). and I thought that something of the medieval feasts, mysteries and banquets were radiating from the stage… from Origins of the Tarot Cards from Medieval Mystery Plays

I spied with my little eye the Magnetic Play Theatre that I obviously kept, which belonged to my daughter when she was little.

It only took a moment to find out about the connection between Tarot and Medieval Playhouses and for my inner child to point out that this would be a fun way to play with Tarot and write all at the same time.

So I set up my Rose and Swan Playhouse and called upon the Fiddler on the Roof Matchmaker to make me a match. The Lions Gateway Tarot by Jessica Henry was the obvious choice and I have to say it was love at first sight. These two may have quite the romance as they bounce off one another.

As I laid down the card that emerged from Henry’s beautiful deck I thought of fairy stories and the Canterbury Tales.  Given Tarots power to teach about morality, I might even be happy to  write a scene for a morality play.

Aperture Stories

“Everyone has a story,” renowned anthropologist Barbara Myerhoff stated, and these stories “told to oneself and others can transform the world.” The name Story Aperture is inspired by Barbara Myerhoff, who described the way a personal story can provide an opening to understand not only one person’s life, but larger truths about the human experience.

Aperture stories are stories which come when we put the light on symbols to be found within Tarot, Oracle, Lenormand or Playing cards.  When we focus like on what the symbol is telling us, we are find deeper meanings which enable us to adapt and adjust our narrative. When we work with an aperture we see well beyond overt meanings and tap into important healing structures.

When we work intuitively with Lenormand, Tarot and Oracle cards we hold micro art galleries in our hand and we have access to insights that have been drawn from the collective unconsious.

When we use a camera it is the depth of field that will determine:

  1. where your viewer’s eye is drawn in a photograph, and
  2. whether or not the photograph is telling a story.

If we keep the camera lens in mind as we examine the cards that have emerged more light is shone on particular features. Often it is the understructure which reveals an entirely fresh model for telling a story. When we work intensively with an image it can help us  face a difficult situation or deal with and heal trauma.  

I have found it inspirational to sit with another person, over a Devonshire tea (Coffee), to sling cards, work intuitively and to listen to the stories that rise up. In the process of working out what the understructure is telling us, at a particular moment in time, we are telling aperture stories.

Writing Portraiture

“The portrait is generally a form of description, and like all descriptions it is a particularly enjoyable device to reread. Anais Nin is the master of descriptive portrait in the diary. Nin made an effort to be fair and free of malice in her word-portraits of friends and acquaintances, though she was aware of weaknesses as well as talents of those she described. In writing portraits she tried to include as many details as possible about herself and the other person”.
Tristine Rainer The New Diary.

‘The Hand’ is a device I have repeatedly used in writing classes. I have people place their hand on their notebook and draw around their fingers. Then I suggest that they lay down some cards. The card for the thumb is the primary figure for this word-portrait. The other four fingers represent people and events that have impacted on this persons life.

  • Carefully look at the pictures. Make sure to take in as much detail as possible. It is important to look very closely. 
  • What are the different elements? Plants? Buildings? Flowers? Animals? What is the landscape? Are there people in the card? What is the person in the picture doing? What objects do you see? Why do you think they are there? What’s in the background? What’s in the foreground? How do all of these different elements come together into a coherent story?
  • Notice every small and large detail and make a note of it. Absorb the entire card into your mind.
  • Now set your timer for 20 minutes. And start writing remembering that you are not in a writing competition.

“Remember that a portrait done like this is never really finished. You can always recolour it, revise it, contradict it, add to it. The mobile,  evolving quality of the portrait makes it a useful tool in recognizing the psychological process of projection. Rather than just seeing the person on his or her terms you are likely to see a mirror reflection of yourself and gain insights about yourself. By writing portraits you begin to see if the face you are describing is your own”. Tristine Rainer The New Diary

Telling Tarot Stories

Great Tarot readers, like writers, know how to weave the story between the Tarot cards to create highly engaging and meaningful Tarot readings for their clients. They see patterns between the cards and combine these intuitive messages into a beautiful story that is unique to the client and their situation. This exercise is good for writers looking to warm their hand by practicing on a daily basis. It is also a good practice for a tarot reader to strengthen their spontaneous story telling skills

Every Tarot card contains its own unique story and each story can be expanded by using more than one card. Every card in a Tarot deck is connected by an invisible thread.

As writers looking to maintain a daily practice Tarot cards are a wonderful source of inspiration.

Over a cup of tea or coffee one way to start the day is to quietly shuffle a pictorial deck and draw some cards. In this instance I chose the Tarot of the Durer which is an art deck compiled by taking scenes from some of Durer’s famous work. I opted to choose just two cards.

Lay out your cards as I have done here.

  • Carefully look at the pictures. Make sure to take in as much detail as possible. It is important to look very closely. For example, did you notice that the eagle is chained and that there is an ominous raven shaped cloud above the old man in the 10 of Pentacles? What is your impression of Temperance’s mood? How is she relating to the cow? What is her connection to the elderly man in the 10 of Pentacles?
  • What are the different elements? Plants? Buildings? Flowers? Animals? What is the landscape? Are there people in the card? What is the person in the picture doing? What objects do you see? Why do you think they are there? What’s in the background? What’s in the foreground? How do all of these different elements come together into a coherent story?
  • Notice every small and large detail and make a note of it. Absorb the entire card into your mind.
  • Now set your timer for 20 minutes. And start writing and sketching, remembering that you are not in a writing or art competition.
  • Make up a story as you go along. Use the elements from the picture in your story. You can be as creative as you like – just let yourself go wild. Write down a story in the 20 minutes you’ve set aside.

Everything Has A Story

Like Sleeping Beauty I am waking up – woken by the voices of all the things I have never thought to stop and listen to, that are eager for me to tell their story. As I listen I have some Tarot Cards with me because they help ‘translate’ the message from an item like a traffic sign or the windmill that has stood out in the weather for decades
The Tarot Midwife November 9 2020

My loyal companion, Archie, a Finnish Lappie, and I headed out to the Muckleford Railway Station armed with a copy of the Little Red Engine. We had been there the day before and decided that we would go back and read this story to the carriages that are lined up on the side tracks.

We found a place to sit and began reading this delightful old children’s book, that once belonged to my children, to the old railway carriages. We didn’t get right through the story because we were both suddenly aware that these so called inanimate carriages and Aunty Jack, the old engine that pulled them on long hauls, were getting quite emotional.

To check what had upset everyone I pulled a card from the Tarot of the Sweet Twilight and out popped the Three of Swords.

It all became very obvious. These loyal, hardworking, heavy duty carriages were devastated to have found themselves abandoned on side tracks here, while Betsy, a light weight steam train blew its whistle and gloated as it skipped past, filled with passengers, city slickers, enjoying a journey down memory lane.

When things calmed they said that they did appreciate hearing the story and that if I would come back they would tell me of some of the places they passed when they were carrying goods and animals back in the day when the railway was the main means of transport.

Aunty Jack the old engine who pulled huge loads through Central Victoria.

Aunty Jack, the Empress, the powerful engine who pulled these carriages for years, brightened at the prospect of having someone listen. I told her about my Great Grandfather who worked as an engineer and oversaw the laying of rails in the 1860’s and she was delighted to hear about his foresight and passion for rails. She suggested that when I come back I tell her more about his days building the railway that bought such change to colony.

Footnote: A delightful mechanic/engineer, who I sat enjoying a cup of coffee with at Dig in nearby Newstead, told me that railway men always give engines female names. He said that in his younger days the really strong ones, with a ton of personality, were invariably known as Aunty Jack. It was he who shared that some were known as Betsy and Val. I decided that the old Steam Train that travels between Castlemaine and Maldon, through the Muckleford Station, is known here as Betsy.

Joan of Arc Spread

Joan of Arc, a peasant girl living in medieval France, believed that God had chosen her to lead France to victory in its long-running war with England. With no military training, Joan convinced the embattled crown prince Charles of Valois to allow her to lead a French army to the besieged city of Orléans, where it achieved a momentous victory over the English and their French allies, the Burgundians. After seeing the prince crowned King Charles VII, Joan was captured by Anglo-Burgundian forces, tried for witchcraft and heresy and burned at the stake in 1431, at the age of 19. By the time she was officially canonized in 1920, the Maid of Orléans (as she was known) had long been considered one of history’s greatest saints, and an enduring symbol of French unity and nationalism.
Source: History 

It has been almost 600 years since the trial and execution of Joan of Arc, and her memory hasn’t faded. From Martyr, saint and military leader Joan of Arc, acting under divine guidance, led the French army to victory over the English during the Hundred Years’ War.

Joan of Arc played an important role in medieval society. She helped to structure women’s right, such as fighting in war and asking to lead an army. During the medieval society, women had no rights to fight with an army, nor did they lead an army to fight for their country.

Much has been written about Joan d’Arc. This spread encourages us to examine the qualities that we identify ourselves as having. I have used the Tarot of the Sweet Twilight. I began by laying out my birth cards and then shuffled and drew three cards. Given how much that is revealed in these cards, I plan to journal in more detail.