Voices May Be Heart At Pennyweight

Some 200 children were buried at Pennyweight Flat Children’s Cemetery between 1852 and 1857, during the height of the Australian gold rush, and not much has happened here since. There have been no more burials. There’s no garden to tend to. No fresh flowers. But you will find small offerings from children who leave toys on the graves.

In a post Tania Braukamper notes that “Aside from those few with markings, the babies and children buried here are voiceless, nameless; nothing but soft bones and dust crushed beneath anonymity and piles of arid earth. The tiny mounds are even sadder because they are mute: the dead are always silent, but the unmarked dead are the quietest of all.”

Skeleton Stan and I doubted that these children remain voiceless, agreeing that it is just a matter of listening.

Stan, being a dead dude, is the perfect conduit to communicate with the tiny residents of this place so he and I agreed to go and try listening.

This remarkable 320 page book & 78 full-color tarot card set is a perfect gift item for someone you love, including yourself! The book . . is a small masterpiece in itself.” “The art on these cards places this deck in a class by itself compared to other decks. The scenes are simple yet highly evocative and magical.

We took some Inner Child Cards out with us and visited an unmarked grave. We waited quietly to see if the resident had any message for us.

It was very moving when the card that emerged told the story of Peter Pan.

The story of Peter Pan begins in the nursery of the Darling household in London, where Wendy, John, and Michael are going to bed when they are surprised by the arrival of Peter Pan and the fairy Tinker Bell. Peter is a little boy who lives in the faraway world of Never Never Land who has come to retrieve his shadow, which he had previously lost there. Peter reveals that he lives in the Never Land as captain of the Lost Boys, children who fell out of their baby carriages when their nurses were looking the other way.

As a young mischievous boy with the power to fly, Peter Pan sweeps Wendy into his world and takes her to the promised Never Land. It is there that the pair encounters friends and foes alike, ranging from the loyal Tinker Bell to the antagonistic Captain Hook.

Neither Stan or I felt a shadow emerge from the grave but we both heard voices calling us to come again but we agreed that if these children are residing in a place like Never Never Land, telling stories, having adventures and living in a big hollow tree, this is a comforting thought.

Hepburn Graves Ghostly Tale

Hepburn Graves is the historical private cemetery of the Hepburn family of Smeaton Hill Run. Located near the original homestead, Smeaton House, the cemetery has been excised from the surrounding private land and is now managed by the National Trust of Australia.

The grave site has been used for burials by the Hepburn family since 1859. When the family sold the property in 1904 they excised the grave site and access road from the main title. After the death of the last family trustee the land with the graves was acquired by the National Trust of Australia (Victoria). The site is cared for by the Ballarat Branch of the National Trust and the owners of Smeaton House. 

The headstones commemorate:

  1. John Stuart Hepburn, Eliza Hepburn, Thomas Hepburn, Alice May Butterworth.
  2. Alice Hepburn Murray, her husband Charles J.B. Murray and daughter Eliza Marion Murton.
  3. Harriet Frances Hepburn, Alice Ella Purey-Cust, George Stuart Hepburn, John Stuart Hepburn, George Stanley Hepburn, Elaine May Hepburn, May Ina Hepburn MacGeorge.
  4. Henry Hepburn 1842 – 1874 (died at sea).
  5. Benjamin Hepburn
  6. John Stevens – long time gardener at Smeaton House. No headstone – his grave is marked by white stones. 

Statement of Significance

Hepburn Graves is the private family cemetery established by pastoralist, Captain William Hepburn near his homestead, ‘Smeaton House’. Hepburn (died 1860), his wife, family and relatives are buried in the cemetery withone retainer. The cemetery is fenced and plantings enhance the graves.
Hepburn Graves are important as an intact private cemetery, representative of a number of such cemeteries associated with Pastoral Holdings. The graves have historical associations with the Hepburn family and are an excellent example of the arrangement, elements and plantings of a small nineteenth century cemetery. Captain Hepburn’s grave is a notable example of a tombstone of the period.
Classified: 21/05/1964.
File Note: See B1114, Smeaton House

The still beauty of this resting place took my breath away. As I sat on a bench, taking in this private cemetery I drew cards from the Macabre Tarot and the Ghosts and Spirits Tarot by Lisa Hunt. I figured that the place might have a ghostly story that they wanted to share with me.

I cannot say that I was surprised when the Magician appeared again. The Macabre Tarot is leaving me in no doubt that it is excited about this whole project.

The Ghostly story that emerged told of a dyke builder named Hauke Haien who built his masterwork, but refused to follow the time honoured tradition of sacrificing a living creature by burying it alive in the dyke. The villagers were very unhappy about this and it all ended in tears when the dyke broke and Haien’s family were washed away and he came to grief.

Interestingly enough, when, despite protestations Captain Hepburn allowed a loyal faithful Chinese employee to be buried in the Hepburn family cemetery, he became the first white Victorian settler to allow a ‘non-European’ person to be buried with other members of his family, as an equal.

Sometimes we simply need to break away from tradition no matter the outcome.

DEATH OF Capt. JOHN HEPBURN, ESQ., J.P.

In our last report we announced the serious illness of Captain Hepburn, and expressed a hope that he might be soon restored to health, but that hope was doomed to disappointment, for after several alternations of the disease, and in spite of the utmost medical skill, the silver chord was loosed and the scythe of death laid low one whose very name has become almost a household word from Creswick to Castlemaine. (Creswick Advertiser, August 10th 1860)

To read more about Capt. John Hepburn, Esq., J.P. check the Smeaton Independent News and to click the link to learn more about Captain Hepburn’s residence, ‘Smeaton House’ on the old Hepburn estate.

Working With Macabre Tarot

Are you ready to let your skin crawl? Are you ready to get lost in the night? Are you ready to embrace everything that lives in the shadows? Step into the darkness and release your fears. A 78-card tarot deck, with premium design aesthetics, that calls you to turn away from the light and explore your own shadow.

Put ‘how to bond with a tarot deck’ into your search engine and a host of ideas about how to develop a relationship with your deck will appear. Ideas range from smoking it with white sage, sleeping with it, rubbing the deck edges in the dirt or simply taking the time to interview it.

Little Red Tarot is just one site that provides some specific deck interviews that you might use.

Having recently acquired the Macabre Tarot I was very taken with the interview, shown here, by Owl and Bone Tarot.

Taking the time to reflect on the messages that laid before me helped my appreciate just what this deck might offer.

Another strategy I employ, as I familiarize myself with a deck like this, is to take it out on an adventure. So, given the macabre nature of this deck I bundled it and the dog into the car and set out to visit a lonely grave that can be found off the the road from Chewton to Fryers Town.

To visit this Escott Grave, in which lies a mother and daughter who died during the Gold Rush period, you have to walk some distance along a bush track.

Not much is written to support this insight but the Macabre Deck was quick to pick up on just how devastated these women had been about being betrayed and deceived.

The story of women on the diggings is largely untold. Only rarely did women work as diggers in their own right. Often, though, they worked side by side with a husband, brother or father.

The first woman made her appearance at Mount Alexander in November 1851, and a digger who was there later recalled how `all the men left off work to gaze on her’. Mrs Andrew Campbell couldn’t help noticing the way she was always being `gazed on’-

 ‘… sometimes as a strange animal, and at others, notwithstanding my claim to toughness, as a brittle bit of porcelain to be labelled “glass, with care”…’’

Towards the end of 1852, women were an accepted part of the diggings scene. Writer-turned digger, William Howitt, was surprised at the number of `diggeresses’ on the goldfields when he arrived­:
‘You see a good many women … and some of them right handsome young girls. They all seem very cheerful and even merry; and the women seem to make themselves very much at home in this wild, nomadic life.’’

The grave of Elizabeth Escott and her daughter Fanny lies in bushland on the east side of the road to Fryerstown.

When Elizabeth’s husband died, she left England with her eleven children to make a new life in Australia. She was one of many who were beaten by the hardships of life on the diggings. Fanny was sixteen when she died of consumption at Blacksmith’s Gully in 1856, and Elizabeth died six months later. Another daughter, Mary, had died in 1855.

78 Possible Spreads Using RWS

Lady Astral Tarot provides two outstanding videos in which she demonstrates how you can make your own Tarot Spreads by using individual cards from RWS and RWS Clones to help frame questions.

To test run this concept I pulled a card from the Tarot of Curious Creatures by Chris Anne. This six of swords is quite unique. By contrast the image in the RWS Six of Swords shows a woman and a child in a boat being rowed in the water to a land that is on the other side. We can gather from the images that the woman and the child are leaving something behind, as their backs are faced towards us. The woman’s head is covered with a cloak – perhaps she is fleeing something, and must go without others knowing her true identity.

Here the Hare sits on what appears to be luggage, waiting to leave. As she waits a tortoise approaches.

Using Anna’s approach I take the time to take in all the details in this image but my focus is on the approaching tortoise and the story of the Tortoise and the Hare comes to mind. The moral lesson of this story is that you can be more successful by doing things slowly and steadily than by acting quickly and carelessly.

Seeing the Tortoise approaching makes me wonder if the Hare has thrown in the towel too quickly. I also wonder about what assistance may come from an unexpected quarter and I frame a question around this.

From what unexpected quarter may I get support?

I shuffle and draw another card. It is the Four of Pentacles depicting a Pig protectively keeping her gold to herself. Initially it is not clear how this provides any support.

However, in a general context, the message from the Four of Pentacles Tarot card could help the Hare by demanding she consider if she is are holding too tightly on to people, possessions, situations or past issues.

The Four of Pentacles tarot card may also be an indication that there are deep seated issues affecting the Hare that she needs to process and let go of. Perhaps the Hare has only been valuing things for their material worth, is trying to hard to control her life or is holding back. It is possible that she has become too greedy and needs to be reminded that money works best when it can flow and exchange, not when it is being stashed away in her luggage.

Certainly, as the Hare sits on her luggage waiting to leave, she is given things to think about.

Saving Sorrento – Literature Study

Literary Studies is the study of written works of the imagination, of which poetry, drama and narrative fiction constitute today the most familiar types or genres. Most students and teachers of literature, however, see it as a more complex matter. It might be more accurate to describe it as a set of methods for examining the richness and diversity of experience through unusual uses of language, through a language that we recognize as different from everyday language and that thereby aspires to produce a reflection of and on the world not available to us otherwise. As such, literary works are also primary documents for investigating national histories, world events, the individual psyche, race, class, gender, science, economics, religion, the natural world, leisure and the other arts. Because literary studies engages with countless other disciplines, it is among the most interdisciplinary of any field of study.

Saving Sorrento by Monika Roleff is available at Amazon.

Back in the day, when I was teaching Year 12 Literature and English I applied some interesting techniques to draw out responses but I cannot deny that it never occurred to me to use Tarot or any other cards for that matter. Yet it was the Head of English at Monash University who gave a lecture about the Tarot and their relevance.

Whatever! Time has passed and it has become clear that exploring the insights cards have to offer can prove very illuminating.

When I drew a card to see what the White Numen Deck thought about the idea of working with Saving Sorrento by Monika Roleff (available at Amazon) out popped the Ace of Wands.

They say that a journey of a thousand miles begins with one step. The Ace of Wands tarot card carries a similar message, representing a bold step toward a new beginning. The first card in the Suit of Wands, this Ace is full of energy, a creative kind, that breathes life into things that did not exist before.

According to Labyrinthos “Wands symbolize creativity, and the Ace of Wands is the boldest among the cards in the suit. It is not the kind of creativity that you learn from school or as a hobby. It is bravely finding your own voice, it creates a place where you can develop your own vision. In other words, it is associated with willpower, and creativity in the cosmic sense.

When you draw the Ace of Wands, it is an indicator that you should just go for it. Take the chance and pursue an idea that you have in mind. Take the first steps to start the creative project. The Ace of Wands calls out to you to follow your instincts. If you think that the project that you’ve been dreaming of is a good idea, and then just go ahead and do it.

Initial Character Study

One way to reflect upon characters is to do a spread like this. It enables us to put in an anchor and glean what forces are impacting on our primary protagonists. In this instance I used the Margarete Petersen Tarot.

The cards that appear for Isabella suggest that when she first meets the stranger on the beach she is threatened by his demeanor. On a conscious level she knows she needs to bring a halt to these unbecoming, fickle and shadowy thoughts. She has experienced fear before and understands she can leave such fears in the realm of the past. By contrast Alexander is unsettled by the appearance of this woman at his makeshift camp. He has good reason to be wary of seemingly attractive women. He is bereft and tries to hide it. However he has the gift of sensitivity and knows his feelings have been blurred by the events that bought him to this space. He senses that he will melt into what awaits him.

A Small Fool’s Guidance

Mouse symbolism is centered on the idea of having the ability to accomplish anything in life regardless of your size. It is a spirit present in many tales and myths and has various positive and negative meanings.

Wary of the Deviant Moon Fool, unsure about following such a renegade, I turned to the Northern Animal Tarot. I figured I might get the best guidance from an animal. I didn’t need to do a spread to decide whether to accept a date with this young fellow.

Mouse reminds me to go slow and to tend to the smaller details. Mouse spirit signifies a time when you need to take a closer look at your life and scrutinize the details that you may have missed. As a big picture person this advice seems very timely. I am guilty of overlooking detail.

I pull two more cards to guide me, to help me see what I may have overlooked as I embark on this project. I realize that the seed I have is going to need to be nurtured if it is to flourish and that while I have a rich bounty already there are many more cups to fill along the way.

But I am tired now. The negative noise that has permeated everything for the past two years feels overwhelming. It is ridiculous to imagine that anything really changes on the last day of a year, that everything will be transformed at the dawn of a New Year, but the prospect of more of this is relentless stress is daunting. Earth feels like a very crazy place to be at the moment and I wonder what is going on out there in the galaxy.

Mouse looks through his contacts in the deck and suggests that I really need to find the Knight of Swords.

When I come upon this fellow, striding forward, wielding his sword, his ferocious energy is daunting. I am just plain weary and my intellect feels blunted. I recall my High School Principal telling me that “worry is rust on the blade” and I am sure Marcus Aurelius would have some sage advice. Obviously I have always taken things way too seriously and this has blunted my sword.

I choose to simply watch as this energetic warrior struts his stuff, hoping for some of his enthusiasm to be infectious.

Dating the Deviant Moon Fool

The Deviant Moon Tarot has surreal, very unique, and sometimes disturbing moonlit artwork. It’s inspired by (and incorporates) images of cemeteries and mental asylums, and designed to illuminate deeper parts of the subconscious. The talented illustrator is also a tarot student, and the deck is the result of three years of artistic work.

Some find the Deviant Moon Fool menacing but as I watch him dancing I find myself recalling time spent in Venice, drawn to all the Venetian masks, mannequins and puppets.

In his richly illustrated book Patrick Valenza says that the Fool “begins his journey with a delirious dance. With maniacal laughter he heads out into the unknown still clothed in his sleepwear”.

There is certainly a dreamlike quality about this character and his bizarre appearance makes me hesitant to approach him.

However, I am mesmerized by his invitation to abandon all inhibitions, take the plunge and create my own unique path. Having said this, it feels like I have been taking leaps of faith ever since I walked away from my former life and reinvented myself in the town I moved to. It feels like I am getting a bit old to be letting go of more inhibitions.

Perhaps it is old age that makes me more cautious about the motives of this Fool.Rather than take the plunge on a whim, I pause to read what Valenza has to say about his Fool and decide to tackle a spread to help me determine how a date with this fellow might turn out.

The initial energy of the Seven of Swords confirms my suspicion that I may be taking an incredible risk to engage with this Fool, however briefly. The presence of swords pierced in the ground imply that this Harlequin performers act has not only, not been a raging success, but that the performer has risked life and limb in his endeavor to perform a unique act. Add the Death card and I cannot deny that I seriously question the advisability of hanging about for long.

The truth is I am not much of a risk taker. I have been known to crumple at almost any height and recall clinging like a leech to the wall of a lighthouse that my late husband insisted we climb. He never gave credence to my fear and thought it was something I should get over. However I let him climb the arduous steps at the Vatican and capture the view of Rome all by himself. While he was gone I sat in St Peter’s Square taking in the passing parade.

Tiny Tea with The Fool

What about addressing the difficult topic over tea and biscuits? If tea’s not your drink, do a little online search for alternatives. Lots of cultures have versions of hot beverages to try. Try them! Go on a tea/coffee break adventure and create space for sharing.

I invited the very youthful Anna K Fool to take a moment, before leaping off that cliff face, to have a cup of my tiny tea. Despite being in a hurry to go wherever she was going she agreed to take a few moments to talk to me.

As we sipped tea, and ate some of the Christmas shortbread, I remarked that my daily life has come to feel like a rubber band, that despite wanting to start afresh, I slip back into old ways of doing and being.

“This is not how it has to be! Your spirit is every bit as young as mine” proffered the Fool.

I all but choked on my tea and spluttered as I considered this. The saying that we are only as young as we feel went through the replay screen in my brain and I conceded that she might just be a very old soul in a young body.

“What about I lay down a couple of cards” suggested the Fool. “I am sure there will be a message for you”.

We contemplated the cards together. I suggested that I might position myself at the top of the wheel and dance joyfully like the figure shown there.

“Rather than hanging on to an established pattern of thinking about the ending before you begin” said the Fool “what about you focus on climbing up from the hub? The project you have so publicly been talking about will not materialize overnight. It will quite literally take a significant amount of time to wrangle. It will be awhile before you can really celebrate.”

With that the Fool drained her cup, put her swag back over her shoulder and leapt into some new world leaving me to ponder whether, at my age, after having responded so often to the call, if I have the energy to do it again.

Consider what might happen if you:

For more than 25 years Noriko Morishita studied and practised the intricate ceremonies of the famous Way of Tea, attempting to learn its complexities and achieve a perfection of movement and mood that few can master. In The Wisdom of Tea Noriko describes her gradual discovery of freedom and insight within the very rules that once seemed so constricting. Looking back across her life, Noriko illuminates the real teachings of the Way of Tea: to live absolutely in the moment, to notice and delight in the smallest of details, to embrace the vital skills of patience and perseverance, and to allow yourself to be.

  • made tea and sat chatting with one of the Major Arcana
  • added tea to a meeting with a client,
  • poured a cup of tea and brought it to a disheartened friend,
  • set up a tea service for an imaginary friend on your back deck.
  • bought yourself a child’s tea service and made tea for the nature spirits in your garden
  • called in and had tea with an isolated elderly or disabled person and encouraged them to share stories about their life.

Applying Bibliomancy

Bibliomancy is one of many divination practices found around the world, and involves the use of books—typically sacred texts—as a method to foretell the future and find guidance. There are many different techniques of bibliomancy that can be used, and a practitioner’s own belief system often informs the way in which results are interpreted.

All the Tarot, Oracle and Lenormand readers I have come to know are constantly updating their knowledge. Inevitably, most folk who collect decks also collect reputable resources to further their knowledge. I know my shelves are literally full of resources about Tarot and the art of writing in particular.

In his book, A Healing Space, Matt Licata specifically says that his book is not one to be read from cover to cover in one sitting. He expresses the hope that a reader might take his book out into nature, sit on the earth and ask to be directed to a passage. What Licata is describing is the art of bibliomancy.

  • Bibliomancy is often used with sacred texts to divine the future, but can also be performed with fiction.
  • The tradition of bibliomancy is found in religious practices all over the world.
  • To practice bibliomancy, you can select any book that is important to you, and focus on finding an answer to your question.

Now this got me thinking! It is true! The Jury is back in! I am guilty, as charged, of being critical of myself for not reading all the pages of the countless books that I have gathered over my lifetime. But I am confident that I could establish a simple Bibliomancy practice using the Tarot books, and other resources that surround me.

To test drive the process I pulled Mindful Tarot by Lisa Frienkel Tishman. PhD off the shelf and called upon this book to show me something I needed to know about Tarot and my specific practice.

Remarkably the page that opened talked about the Hangman and how the earliest decks called this the Traitor, in reference to Judas! This may not be news to you, but it was news to me.

I sat quietly with the whole notion of the Judas archetype and the provocative argument presented by Jorges Luis Borges, that without Judas we would not have Christ saving us all.

I pulled out the Hangman from the Cosmic Tarot and drew in the image! I considered how once in awhile someone comes along who, by the way, is not thanked for turning everything upside down. I remembered a moment in time when I turned everything upside down.

Curious? Perhaps it is best that I keep that memory to myself for now.

Over to You

What reference beckons you? What do you learn? Will you try this again and again?

Close Encounters of the Best Kind

Close Encounters of the Third Kind is a 1977 American science fiction film written and directed by Steven Spielberg that captured the imagination of the world at the time of its showing. It tells the story of Roy Neary, an everyday blue-collar worker in Indiana, whose life changes after an encounter with an unidentified flying object (UFO). Richard Dreyfuss stars as cable worker Roy Neary, who along with several other stunned bystanders experience a close encounter of the first kind – witnessing UFOs soaring across the sky.

During this holiday period it is as good a time as any to watch an old favourite movie or to have a close encounter with someone less like an alien – a Tarot Archetype.

When I take the time to study the Fool I invariably think in terms of the Pied Piper who is constantly enticing me to throw it all in and follow him.

Indeed, many of my personal drawings and courses that I have run have been influenced by this character. As an artistic midwife I have had many encounters with him. It is the Piper who encourages me to lace up my Cyber Boots and head out on yet another creative journey of imagination. It is the Piper who lures me away from conventional thinking and encourages me to inhabit a world of childhood imagination.

In her book ‘Jung and Tarot’ An Archetypal Journey Sally Nicholls makes the point that studying specific cards help unlock hidden stores of creative imagination enabling sudden insights and ideas burst forth into the consciousness, seemingly from nowhere. I am determined to have some close encounters with prominent Tarot characters.

Given that these wispy characters can be as illusive as butterflies, who flit away without warning, I plan to step into their world and interview them. I am anticipating that this will take most of 2022 to complete but I am in no hurry as I really want to really get to know some of these characters.

I plan to adapt some of these spreads as I begin to communicate with each character. I will lay the card down and either draw more cards or see what spontaneously emerges using a stream of consciousness approach.

Some More Questions to Pose

One of the things I do love about the Show Me Cards is that I can use them to ask questions but here are some more that might be useful.

  • Tell me about yourself!
  • How are you helping me?
  • What should I know about any message that you bring?
  • Is there anything I should be aware of?
  • What else do I need to know?