The moon is an integral part of our lives. Whether it is celebrating a festival or starting an auspicious task, or meditating, we consider the movements of the moon.
The moon is your old friend, when you understand it and know how to lean on it, it won’t let you down.
In this universe, every object has an impact on the other. The full moon as well as the new moon are thought to have an effect on the body and mind to some extent. But practicing pranayama, yoga and meditation can help counter these effects.
A Guided Meditation
Layout some Moon cards and spend time meditating on them. It may help to play this Guided Meditation or another imagery, like this, that you can find online.
A Full Moon Spread
And hand in hand, on the edge of the sand, They danced by the light of the moon, The moon, The moon, They danced by the light of the moon
The energy of the moon has an undeniably powerful influence—on people, on plants and animals, and on the cycles and rhythms of the world. These tarot spread may help you manifest the changes you want for yourself and your community. Whatever! They will provide fodder for journal keeping.
Bonding with your tarot deck is a great practice you can use, along with cleansing your cards, to attune to your new, or old, deck’s vibe for more powerful and accurate readings.Search online and you will find plenty of suggestions about how to connect with your deck. Here is just another fun suggestion.
One way to build up your connection with Tarot decks is to use the suits and court cards to tell spontaneous stories.
There are many advantages of using the storytelling process to connect with your Tarot cards.
You really get into the picture of the cards and observe the details of the imagery.
You can really internalize each and every aspect of the card’s pictures.
You can get creative and let your imagination run wild while writing the story.
its an opportunity to let imagination and Intuition mix really well together
Lay out a full suit from your Tarot deck and choose one of the Court Cards to take the role of primary protagonist.
Set a timer for twenty minutes and just write.
Here is an example of a tale, written in twenty minutes, using the Cosmic Tarot for inspiration.
After having been through a trying time, having emerged from a sustained period of loss and grief, Sonia, a young Princess in the House of Cups, visited a local Gypsy tarot reader. The Gypsy told Sonia that her cup was actually overflowing with potential and suggested that she might try to find delight in life by observing simple things. She told the Princess that this would sweeten her life and open her up to positive experiences.
Sonia took the Gypsies advice to heart and began to take more notice of her environment. In no time she began to see the world of the palace in a different light. She watched her mother, Queen Isobella working tirelessly in the Court gardens. Sonia decided that instead of sitting by her window, waiting for yet another, disappointing, entitled, narcissist prince to come, she would take her art supplies and slip into the Enchanted wood that she had loved as a child.
As the days passed her demeanor transformed and her parents and brother noted her flushed cheeks and the transformation that had taken place. Sonia suggested that it was all due to the fresh air and her passion for her artistic endeavours. What she did not reveal, over the formal evening dinners, was that while she was in the woods she had met a very handsome huntsman and that each day she was making sure to set up her easel where he would find her.
Dressed as a maiden, the huntsman was oblivious to her true identity. He began to court her, finding small gifts to give her each day. Gradually she filled her box of wonder with delightful fragments, stones, gum nuts, flowers, feathers and crystals. Each piece had a story to tell and the fairy folk of the woods unashamedly supported their affair and shielded their passionate love making from prying eyes.
Alas, one day, courtiers, at the behest of the King, followed her and witnessed her meeting and walking off with the huntsman. After Sonia had returned to the court, flushed after her encounter, the courtiers returned to the woods and revealed Sonia’s identity to the huntsman. They threatened him and made him understand that he best make himself scarce for he was not eligible to marry her.
The huntsman, knowing their lives were in danger disappeared and Sonia fell into despair when he failed to meet their rendezvous. In desperation she went back to the Gypsy, seeking more advice.
The Gypsy, upon seeing the empty cups in the spread, pointed instead to the ten of cups and reassured Sonia that happiness could still be hers.
Being a determined young woman Sonia sought help from the Fae folk and was taken to the Huntsman’s cottage deep within the woods. They talked for hours, imagining the life they could share if she was prepared to relinquish her royal life and live with him in this idyllic woodland setting.
He was shattered when she made it clear that this was not possible, that her family, the courtiers would literally hunt them down and kill him for his insolence.
It seemed that all was lost until her mother, with a group of her Ladies in Waiting appeared before them. The Queen recognized the huntsman as the youngest son of her brother, the King of the House of Swords. King Eric had sent the lad into the woods to learn about life, to learn to honour all living things and he had been gone so long he had quite forgotten who he was.
Needless to say, sensing that Sonia was already with child, Queen Isobella wholeheartedly blessed the union, even although they were cousins.
To celebrate their marriage Sonia commissioned an artist to paint a portrait of herself. Everyone was taken aback when they saw that she had posed naked in the woods, surrounded by Fae folk and overflowing cups to celebrate that her cup runneth over – at least for now.
When Victoria went into its fifth lockdown last week, classes that I had offered in a couple of Library settings were cancelled. This is disappointing for everyone and adds to the cocktail of negative noise that we have all been dealing with.
As Nitchke explains “the human brain has the capacity to imagine all the worst things that could happen. And the more uncertainty there is — especially if that uncertainty is coupled with gloomy hypotheticals — the more likely the brain is to conjure up and fixate on the worst-case scenarios.
I wish it were otherwise but we are going to be faced with uncertainty for quite some time! So I decided that one way of providing a tiny bit of certainty is to offer regular writing/art sessions in a Zoom setting.
Participants will have a regular meeting time and projects (lockdown friendly if the need arises) to occupy themselves before meeting again.
The cost is $15 per a one and a half hour session.
If you are interested in joining a group of a maximum of 5 participants, for a block of 6 weeks, on a Tuesday evening at 8 pm AET simply email heatherblakey at fastmail dot fm. Other times can be made available depending on interest.
Writing for Wellness
Pens, crayons, pencils and IV tubes may not seem to have much in common but the arts are increasingly touted as a form of healing that can be as relevant to a patients wellbeing as medication. A developing body of research shows that expressive writing helps calm the mind and emotions, and increases feelings of happiness and wellbeing.
In this course we will use guided writing activities as a gentle approach to personal wellbeing. You will be offered tools which you can take away and use in your daily writing and art practice.
The enjoyable and easy-to-do activities will help you:
reunite with your most creative self
dip into Mnemosynes Well of Memory using simple lists as stepping stones
apply guided imageries and visual imagery as a kick starter to daily writing
alter your perspective by communicating with fragments of nature
experience the catharsis that comes with writing letters to past and future selves
create detailed portraitures
explore a range of emotions
About Heather Blakey
Heather Blakey has had over thirty years experience as a secondary school teacher in Melbourne’s Northern suburbs and she has recently graduated as a Master of Social Work at Monash University.
Between 2000 and 2010 she built and managed the critically acclaimed Soul Food Cafe a site which was acknowledged by Writers Digest and authors such as Sark and Jean Houston. While she no longer runs this labyrinthine website Soul Food informs how she works and has influenced writing courses that she runs regularly.
Heather describes herself as a purveyor of stimuli and an artistic midwife. She has worked as a specialist teacher of writing with people of all ages and believes that the expressive arts, and writing in particular, not only promotes wellness in those who trust the process and engage but helps people identify and value their unique voice.
“Everyone has a story,” renowned anthropologist Barbara Myerhoff stated, and these stories “told to oneself and others can transform the world.” The name Story Aperture is inspired by Barbara Myerhoff, who described the way a personal story can provide an opening to understand not only one person’s life, but larger truths about the human experience.
Aperture stories are stories which come when we put the light on symbols to be found within Tarot, Oracle, Lenormand or Playing cards. When we focus like on what the symbol is telling us, we are find deeper meanings which enable us to adapt and adjust our narrative. When we work with an aperture we see well beyond overt meanings and tap into important healing structures.
When we work intuitively with Lenormand, Tarot and Oracle cards we hold micro art galleries in our hand and we have access to insights that have been drawn from the collective unconsious.
When we use a camera it is the depth of field that will determine:
where your viewer’s eye is drawn in a photograph, and
whether or not the photograph is telling a story.
If we keep the camera lens in mind as we examine the cards that have emerged more light is shone on particular features. Often it is the understructure which reveals an entirely fresh model for telling a story. When we work intensively with an image it can help us face a difficult situation or deal with and heal trauma.
I have found it inspirational to sit with another person, over a Devonshire tea (Coffee), to sling cards, work intuitively and to listen to the stories that rise up. In the process of working out what the understructure is telling us, at a particular moment in time, we are telling aperture stories.
Writing has tremendous energy. If you find a reason for it, any reason, it seems that rather than negate the act of writing, it makes you burn deeper and glow clearer on the page. Ask yourself, “Why do I write?” or “Why do I want to write?” but don’t think about it. Take pen and paper and answer it with clear, assertive statements. Every statement doesn’t have to be one hundred percent true and each line can contradict the others. Even lie if you need to, to get going. If you don’t know why you write, answer it as though you do know why.
— Natalie Goldberg, Writing Down the Bones
When I am running writing classes I like to offer speed stream of consciousness writing activities to ‘warm the hand’.
This spread by @radiantunknown is the perfect spread to generate some writing, preferably on scrap paper. I encourage people to begin by sketching, posing some questions and making lists of things that come to mind.
I suggest that you place your primary character on a page and then make use of the following format to create your own character.
No cheating. Do not simply fill in the blanks by describing yourself or someone you know. Instead, fill in the blanks describing someone you’d find it interesting to know. Then, remembering that conflict is the essence of all dramatic writing, repeat the process by imagining a character whose value, attitudes, etc. would likely put them in opposition to the first character you invented.
Favorite subject in school:
Favorite game as child:
Favorite section of newspaper:
Favorite type of music:
Last book read:
Last movie seen:
Morning or night person:
Indoor or outdoor person:
Then we set a timer and write for twenty minutes without thinking or worrying about grammar.
As a follow on you can put your character in the centre of this spread and begin building on their story using the cards that emerge.
Through techniques of pathworking (guided meditation), your imagination can shine a magic mirror on your personality. This inner landscape reveals your world as your unconscious sees it – a perspective that enables you to make dramatic changes.
Make an appointment to write! Join me, read Tarot over Tiny Tea and spend time working on your journal.
Joseph Gill’s The Gill Tarot, first published in 1991, is a beautiful deck to work intimately with and provides amazing imagery for those wanting to journal or path-work.
A pathworking takes you on a journey through an inner landscape. Path-working as a technique is derived from magical uses of the Kabbalistic Tree of Life. In that system, a path-working is a journey along one of the 22 paths of the Tree of Life, each of which has a specific set of landscape and symbolism associated with it (and corresponds to one of the twenty-two cards of the Major Arcana of the Tarot).
Alternatively you can engage in a visualisation by focusing on the specific images in front of you; sometimes the image tells a story or involves travelling through a landscape (real or imaginary); sometimes it is intended to bring about a specific result.
At other times you may dialogue with a aspect of your personality as represented by someone like Gill’s Queen of Cups.
Anastasia Riversleigh is just one of my alter egos. She is a member of the Skull Clan who is currently working, primarily, with the Tarot of the Vampyres. Given that she is taking this opportunity to do important shadow work she will be leaning on numerous decks and other resources.
Visit her and you will find a detailed journal which records her newest adventure, in residence, living and playing with many interesting internal characters at Shadwell Manor and on the old Ghostly Spanish Galleon that sails the seven seas.
“I don’t believe in things like that – fairies or brownies or magic or anything. It’s old-fashioned.’ ‘Well, we must be jolly old-fashioned then,’ said Bessie. ‘Because we not only believe in the Faraway Tree and love our funny friends there, but we go to see them too – and we visit the lands at the top of the Tree as well!” ― Enid Blyton, The Folk of the Faraway Tree
I cannot say that I was a devotee of Alice in Wonderland. Instead it was Enid Blyton’s Magic Faraway Tree series that captured my imagination as a child growing up in the 1950’s.
The Faraway Tree is best described as a slow, gentle series of adventures that take place in a magical tree and the lands it connects to in the clouds. Originally published in 1939, the language is lyrical and playful — a slide is called a slippery slip — and young readers will probably dream about how the kids are left to play in the woods for an entire day by themselves.
I loved, still love these stories for their loveable characters, magical lands, silliness ( the Saucepan Man’s songs and forgetfulness had me giggling every time) and the exciting cliffhangers that kept me enthusiastically reading chapter after chapter. Not so long ago, during our blistering hot summer, I listened to audio book adaptions and fell in love with the series all over again. Silky and Moonface have not lost any of their appeal and I still adore the angry pixie.
Of course, some point to the pretty standard gender roles but it was 1939 and the fact that the roles are decidedly out of place in 2020 will not diminish the joy I feel when I read the books.
The truth is that the Magic Faraway Tree, combined with the influence of Archie Hair, an elderly prospector whose home in the bush was a place I loved visiting as a child, filled me with wonder and have each contributed to me having a rich inner life, an inner life that has sustained me through some very difficult periods. Perhaps not surprisingly, thanks to such influences, when I ran the Soul Food Cafe between 2000 and 2010 I took countless travellers through a portal into the fantasy world of Lemuria and preserved the journeys in annual advent calendar features.
Fast forward to 2020 and I now find myself in world put into hibernation by a new pandemic. It has been over seven weeks since we went into lockdown in Australia and there have been many reports indicating that social isolation and being ‘confined to barracks’ is having a detrimental impact on people’s mental wellbeing.
Thank goodness for my passion for Tarot. In this situation I have found it self soothing to pack my bag, slip through a portal and Travel Within A Tarot Deck.
Not surprisingly I chose the Path Through the Enchanted Forest, a magical deck which conjures some of the charm of the Faraway Tree. When I work with this deck I not only drift back in time but find that my imagination is fired. After shuffling my deck I found myself standing in a forest, alongside a gingerbread house and I was, quite frankly stunned by how the cards continued to fall.
Invariably others, inspired by this idea, have gone in different directions but the feedback I am getting suggests that, at a time when flights are cancelled and borders are closed, this is one kind of travel that can fire up our creative juices.
Will you join in? I am thinking of setting up a flight centre, a ‘Travel Agency’ where those who read about the travels of others will be inspired you to join in the fun. Considering there are no charges and all you have to do is pull out a much loved Tarot Deck, even Ryan or Tiger Air will not be able to beat this offer. And just think of the travel brochures we could conjure up! So much potential!
The interview spread is a really neat way to introduce yourself to a new tarot deck and allow it to introduce itself to you. Essentially, it’s a conversation about your potential working relationship, where you can discuss the deck’s strengths and limits and discover the best way to approach and use these cards.
Back in December 2019, after having worked with Tarot in my writing classes, I resolved to learn about the wisdom of Tarot and to identify the alchemical impact of Tarot on creativity.
Since we have been locked indoors because of the Corona Virus there is no doubt that ‘the noise’ generated from the media reports has impacted on me and reduced my capacity to concentrate.
You only have to watch Ricky Gervais’s dark comedy, ‘After Life’, to know that many people spend time at gravesites chatting to a beloved who has died. Many mothers have gone to children’s graves seeking peace. However gone are the days when families picnicked in the grounds of cemeteries Now most historic cemeteries lie quietly with barely a visitor these days. I love to visit with my picnic basket and a deck of Tarot cards to have a graveside chat. There is much to learn from those who are resting in these fading spaces.
There is an unlikely drawcard between the old gold cities of Ballarat and Bendigo and yet it would be all too easy to pass by and not notice it. The Sandon Cemetery is a must visit for the slow travelling cemetery explorer.
Each year hundreds of Catholic pilgrims pause here on their 90 kilometre walk between the cathedrals at Ballarat and Bendigo to rest their weary soles and too sing. I have passed the parade on the Creswick to Newstead road and wondered what it was all about. It was only recently that a Sandon local told me about the pilgrimage and how the pilgrims sing at the gravesites. This gives a whole new meaning to the Clarissa Pinkola Estes story about singing over bones.
Sandon Cemetery is a special place for the cemetery explorer. This place shares one of the regions great landscapes. When you stand amongst the weather beaten headstones you can look through white-trunked eucalyptus trees towards the rising Sandon basalt ridge. No wonder a community of Swiss-Italian migrants chose this part of Central Victoria as home.
I have visited regularly but it was only on my recent visit that I decided that rather than sing to the bones (no self respecting bones would enjoy the rasping sound from my vocal chords) I would talk to the bones and ask them to share a message about their life and how I should live.
The result is that I have a whole new hobby and interest, revisiting historic cemeteries to have graveside chats.
Annie (8 years) and Henry Clifton (6 years) were burnt to death at Spring Gully in 1827.
When the Fool appeared it was very evident that the Martell’s were highlighting that life really is a Fool’s journey.
David Jenkin Davies died at just 27 as the result of a mining accident. When the devil emerged it was clear that he was commenting on the negligence of the those who managed the mine.