Packing 10 Decks

Any Creative Medicine back pack will inevitably have some decks stashed in the pockets. There is a hastag currently going around the internet since Katey Flowers presented her #onlytendecks YouTube Video which you will find on this page. Spend some time with your collection and determine which ten decks, comprising of Oracle, Tarot and Lenormand that you will take. These may not be the ten I finally decide to take but it gives you a feel of how I am thinking.

  • Guardian Tarot
  • The White Numen Tarot
  • Carolyn Myss Archetypes
  • The Wandering Moon Soul Oracle
  • The Arboridium
  • Dark Goddess Tarot
  • Sakki Sakki Tarot
  • The Northern Animal Tarot
  • Tarot of the Sweet Twilight
  • Morgans Tarot

Consider watching a few video responses to Katey’s video and show off the decks you will you.

Trick for LearningTarot

Far too many people worry about reading tarot cards the “right” way. There are actually far more helpful reading techniques, depending on the situation. It is also believed that when reading for others the reader must do what the client expects. This all too often means to predict the future and tell people how to obtain their desires. Is the job of a foot doctor to cure lung cancer? As readers we have a right, even an obligation, to discover what we do best and to offer that in readings both for ourselves and for others. The task becomes learning what we do best and offering that with clarity and confidence.

One of the tricks I have found to be very successful is to regularly complete challenges and by using the cards to kick start story telling.

Recently I have been working on a project helping Aussie Wildlife learn about tarot and I have found that drawing Australian wildlife in tarot settings has helped refine my knowledge of the cards

Big Red is the King of Wands

For example, in response to the Tarot Storytelling Spread I drew the Big Red Kangaroo as the King of Wands.

Kangaroo’s are herbivorous. They reside throughout Australia, Tasmania and New Guinea. Kangaroos have powerful, long hind legs and feet for leaping and jumping with. Their long tails thicken at the base to help them balance. Each of their hind feet has 4 toes, this number represents foundations.

This big Red Kangaroo, proudly wearing his crown of authority, has the power to create a safe and secure environment for his mob. The Red Kangaroo has an innate capacity to adapt to new situations and environments. Kangaroos are extremely focused beings, with their energy fields tightly woven around them with no room for distractions. 

If hunted by a Dingo, human or a rare Tasmanian tiger, the Big Reds are very fast and hop effortlessly to safety without a moments thought about where they are going. They use their strong instincts to guide them.

For us humans, there is a great lesson to be learned from this – instead of thinking about every single, most minute step we take we must let our instincts guide us.

Pausing to Listen

I pause to talk to the spirit of the Wattle. She is feeling joyful as she dresses in a golden ballgown that she will wear for her coming out again this season. She tells me that her yellow gown will swirl when she dances on the Spring winds. As she talks a pleasing memory of youthful days, wearing my yellow taffeta ballgown, dancing with my father at the local ball drifts by.

Getting to Know The Lions Gateway Tarot

Benebell Wen’s review of the Lions Gateway Tarot by Jessica Henry is comprehensive. Some tarot readers bond with a deck by ‘interviewing’ it, but another way to get to know a deck is to use it for a month long challenge such as the Once Upon a Tarot Challenge. In this case I am using the Sakki Sakki Tarot to help develop a character but you can always take the journey to help gain self awareness or to gain focus and set goals.

Getting to Know You

It will come as no surprise to anyone who has followed me on Instagram that I do not profess to be a Tarot reader. I certainly do not claim to be familiar with the meanings of all the cards. My primary interest has been exploring the potential of these mini galleries of art to inspire the creative arts and support healing.

I began the process by listening to Julie Andrews sing Getting to Know You as I shuffled the Everyday Witch cards. It was the Six of Pentacles, a card all about giving and receiving that emerged. So clearly the Witch depicted in this card is prepared to help even the playing field and share some of her knowledge with me; teach me about the world of Tarot.

So when I was told by an experienced Tarot reader that she wished that the Everyday Witch had been available when she was learning 20 years ago, that she strongly recommends this deck to beginners I figured it was time to go beyond the interview process and actually get to know this deck, get to know Tarot better. Of course I have made resolutions like this before but I am not going to beat myself up because I am aware that PTSD issues and the nature of technology have impacted on my capacity to focus.

For now it is my intention to set up some Tiny Tea each day and work with some cards. I am hoping to study the Everyday Witch in detail and draw comparisons with cards in other decks that I have in my collection.

Tarot Play Time – Play Theatre

I think I am not the only one intrigued by the picturesque of early Tarot cards. What do they really represent? Who drew them? Who put all these icons together?

Then I saw Dario Fo, the great Italian comedian of Comedia dell Arte, play writer and Nobel Prize winner, acting on stage playing the hilarious figure of a barbarous Pope (I cannot recall who). and I thought that something of the medieval feasts, mysteries and banquets were radiating from the stage… from Origins of the Tarot Cards from Medieval Mystery Plays

I spied with my little eye the Magnetic Play Theatre that I obviously kept, which belonged to my daughter when she was little.

It only took a moment to find out about the connection between Tarot and Medieval Playhouses and for my inner child to point out that this would be a fun way to play with Tarot and write all at the same time.

So I set up my Rose and Swan Playhouse and called upon the Fiddler on the Roof Matchmaker to make me a match. The Lions Gateway Tarot by Jessica Henry was the obvious choice and I have to say it was love at first sight. These two may have quite the romance as they bounce off one another.

As I laid down the card that emerged from Henry’s beautiful deck I thought of fairy stories and the Canterbury Tales.  Given Tarots power to teach about morality, I might even be happy to  write a scene for a morality play.

Aperture Stories

“Everyone has a story,” renowned anthropologist Barbara Myerhoff stated, and these stories “told to oneself and others can transform the world.” The name Story Aperture is inspired by Barbara Myerhoff, who described the way a personal story can provide an opening to understand not only one person’s life, but larger truths about the human experience.

Aperture stories are stories which come when we put the light on symbols to be found within Tarot, Oracle, Lenormand or Playing cards.  When we focus like on what the symbol is telling us, we are find deeper meanings which enable us to adapt and adjust our narrative. When we work with an aperture we see well beyond overt meanings and tap into important healing structures.

When we work intuitively with Lenormand, Tarot and Oracle cards we hold micro art galleries in our hand and we have access to insights that have been drawn from the collective unconsious.

When we use a camera it is the depth of field that will determine:

  1. where your viewer’s eye is drawn in a photograph, and
  2. whether or not the photograph is telling a story.

If we keep the camera lens in mind as we examine the cards that have emerged more light is shone on particular features. Often it is the understructure which reveals an entirely fresh model for telling a story. When we work intensively with an image it can help us  face a difficult situation or deal with and heal trauma.  

I have found it inspirational to sit with another person, over a Devonshire tea (Coffee), to sling cards, work intuitively and to listen to the stories that rise up. In the process of working out what the understructure is telling us, at a particular moment in time, we are telling aperture stories.

Writing Portraiture

“The portrait is generally a form of description, and like all descriptions it is a particularly enjoyable device to reread. Anais Nin is the master of descriptive portrait in the diary. Nin made an effort to be fair and free of malice in her word-portraits of friends and acquaintances, though she was aware of weaknesses as well as talents of those she described. In writing portraits she tried to include as many details as possible about herself and the other person”.
Tristine Rainer The New Diary.

‘The Hand’ is a device I have repeatedly used in writing classes. I have people place their hand on their notebook and draw around their fingers. Then I suggest that they lay down some cards. The card for the thumb is the primary figure for this word-portrait. The other four fingers represent people and events that have impacted on this persons life.

  • Carefully look at the pictures. Make sure to take in as much detail as possible. It is important to look very closely. 
  • What are the different elements? Plants? Buildings? Flowers? Animals? What is the landscape? Are there people in the card? What is the person in the picture doing? What objects do you see? Why do you think they are there? What’s in the background? What’s in the foreground? How do all of these different elements come together into a coherent story?
  • Notice every small and large detail and make a note of it. Absorb the entire card into your mind.
  • Now set your timer for 20 minutes. And start writing remembering that you are not in a writing competition.

“Remember that a portrait done like this is never really finished. You can always recolour it, revise it, contradict it, add to it. The mobile,  evolving quality of the portrait makes it a useful tool in recognizing the psychological process of projection. Rather than just seeing the person on his or her terms you are likely to see a mirror reflection of yourself and gain insights about yourself. By writing portraits you begin to see if the face you are describing is your own”. Tristine Rainer The New Diary

Telling Tarot Stories

Great Tarot readers, like writers, know how to weave the story between the Tarot cards to create highly engaging and meaningful Tarot readings for their clients. They see patterns between the cards and combine these intuitive messages into a beautiful story that is unique to the client and their situation. This exercise is good for writers looking to warm their hand by practicing on a daily basis. It is also a good practice for a tarot reader to strengthen their spontaneous story telling skills

Every Tarot card contains its own unique story and each story can be expanded by using more than one card. Every card in a Tarot deck is connected by an invisible thread.

As writers looking to maintain a daily practice Tarot cards are a wonderful source of inspiration.

Over a cup of tea or coffee one way to start the day is to quietly shuffle a pictorial deck and draw some cards. In this instance I chose the Tarot of the Durer which is an art deck compiled by taking scenes from some of Durer’s famous work. I opted to choose just two cards.

Lay out your cards as I have done here.

  • Carefully look at the pictures. Make sure to take in as much detail as possible. It is important to look very closely. For example, did you notice that the eagle is chained and that there is an ominous raven shaped cloud above the old man in the 10 of Pentacles? What is your impression of Temperance’s mood? How is she relating to the cow? What is her connection to the elderly man in the 10 of Pentacles?
  • What are the different elements? Plants? Buildings? Flowers? Animals? What is the landscape? Are there people in the card? What is the person in the picture doing? What objects do you see? Why do you think they are there? What’s in the background? What’s in the foreground? How do all of these different elements come together into a coherent story?
  • Notice every small and large detail and make a note of it. Absorb the entire card into your mind.
  • Now set your timer for 20 minutes. And start writing and sketching, remembering that you are not in a writing or art competition.
  • Make up a story as you go along. Use the elements from the picture in your story. You can be as creative as you like – just let yourself go wild. Write down a story in the 20 minutes you’ve set aside.