Dating the Deviant Moon Fool

The Deviant Moon Tarot has surreal, very unique, and sometimes disturbing moonlit artwork. It’s inspired by (and incorporates) images of cemeteries and mental asylums, and designed to illuminate deeper parts of the subconscious. The talented illustrator is also a tarot student, and the deck is the result of three years of artistic work.

Some find the Deviant Moon Fool menacing but as I watch him dancing I find myself recalling time spent in Venice, drawn to all the Venetian masks, mannequins and puppets.

In his richly illustrated book Patrick Valenza says that the Fool “begins his journey with a delirious dance. With maniacal laughter he heads out into the unknown still clothed in his sleepwear”.

There is certainly a dreamlike quality about this character and his bizarre appearance makes me hesitant to approach him.

However, I am mesmerized by his invitation to abandon all inhibitions, take the plunge and create my own unique path. Having said this, it feels like I have been taking leaps of faith ever since I walked away from my former life and reinvented myself in the town I moved to. It feels like I am getting a bit old to be letting go of more inhibitions.

Perhaps it is old age that makes me more cautious about the motives of this Fool.Rather than take the plunge on a whim, I pause to read what Valenza has to say about his Fool and decide to tackle a spread to help me determine how a date with this fellow might turn out.

The initial energy of the Seven of Swords confirms my suspicion that I may be taking an incredible risk to engage with this Fool, however briefly. The presence of swords pierced in the ground imply that this Harlequin performers act has not only, not been a raging success, but that the performer has risked life and limb in his endeavor to perform a unique act. Add the Death card and I cannot deny that I seriously question the advisability of hanging about for long.

The truth is I am not much of a risk taker. I have been known to crumple at almost any height and recall clinging like a leech to the wall of a lighthouse that my late husband insisted we climb. He never gave credence to my fear and thought it was something I should get over. However I let him climb the arduous steps at the Vatican and capture the view of Rome all by himself. While he was gone I sat in St Peter’s Square taking in the passing parade.

Tiny Tea with The Fool

What about addressing the difficult topic over tea and biscuits? If tea’s not your drink, do a little online search for alternatives. Lots of cultures have versions of hot beverages to try. Try them! Go on a tea/coffee break adventure and create space for sharing.

I invited the very youthful Anna K Fool to take a moment, before leaping off that cliff face, to have a cup of my tiny tea. Despite being in a hurry to go wherever she was going she agreed to take a few moments to talk to me.

As we sipped tea, and ate some of the Christmas shortbread, I remarked that my daily life has come to feel like a rubber band, that despite wanting to start afresh, I slip back into old ways of doing and being.

“This is not how it has to be! Your spirit is every bit as young as mine” proffered the Fool.

I all but choked on my tea and spluttered as I considered this. The saying that we are only as young as we feel went through the replay screen in my brain and I conceded that she might just be a very old soul in a young body.

“What about I lay down a couple of cards” suggested the Fool. “I am sure there will be a message for you”.

We contemplated the cards together. I suggested that I might position myself at the top of the wheel and dance joyfully like the figure shown there.

“Rather than hanging on to an established pattern of thinking about the ending before you begin” said the Fool “what about you focus on climbing up from the hub? The project you have so publicly been talking about will not materialize overnight. It will quite literally take a significant amount of time to wrangle. It will be awhile before you can really celebrate.”

With that the Fool drained her cup, put her swag back over her shoulder and leapt into some new world leaving me to ponder whether, at my age, after having responded so often to the call, if I have the energy to do it again.

Consider what might happen if you:

For more than 25 years Noriko Morishita studied and practised the intricate ceremonies of the famous Way of Tea, attempting to learn its complexities and achieve a perfection of movement and mood that few can master. In The Wisdom of Tea Noriko describes her gradual discovery of freedom and insight within the very rules that once seemed so constricting. Looking back across her life, Noriko illuminates the real teachings of the Way of Tea: to live absolutely in the moment, to notice and delight in the smallest of details, to embrace the vital skills of patience and perseverance, and to allow yourself to be.

  • made tea and sat chatting with one of the Major Arcana
  • added tea to a meeting with a client,
  • poured a cup of tea and brought it to a disheartened friend,
  • set up a tea service for an imaginary friend on your back deck.
  • bought yourself a child’s tea service and made tea for the nature spirits in your garden
  • called in and had tea with an isolated elderly or disabled person and encouraged them to share stories about their life.

Close Encounters of the Best Kind

Close Encounters of the Third Kind is a 1977 American science fiction film written and directed by Steven Spielberg that captured the imagination of the world at the time of its showing. It tells the story of Roy Neary, an everyday blue-collar worker in Indiana, whose life changes after an encounter with an unidentified flying object (UFO). Richard Dreyfuss stars as cable worker Roy Neary, who along with several other stunned bystanders experience a close encounter of the first kind – witnessing UFOs soaring across the sky.

During this holiday period it is as good a time as any to watch an old favourite movie or to have a close encounter with someone less like an alien – a Tarot Archetype.

When I take the time to study the Fool I invariably think in terms of the Pied Piper who is constantly enticing me to throw it all in and follow him.

Indeed, many of my personal drawings and courses that I have run have been influenced by this character. As an artistic midwife I have had many encounters with him. It is the Piper who encourages me to lace up my Cyber Boots and head out on yet another creative journey of imagination. It is the Piper who lures me away from conventional thinking and encourages me to inhabit a world of childhood imagination.

In her book ‘Jung and Tarot’ An Archetypal Journey Sally Nicholls makes the point that studying specific cards help unlock hidden stores of creative imagination enabling sudden insights and ideas burst forth into the consciousness, seemingly from nowhere. I am determined to have some close encounters with prominent Tarot characters.

Given that these wispy characters can be as illusive as butterflies, who flit away without warning, I plan to step into their world and interview them. I am anticipating that this will take most of 2022 to complete but I am in no hurry as I really want to really get to know some of these characters.

I plan to adapt some of these spreads as I begin to communicate with each character. I will lay the card down and either draw more cards or see what spontaneously emerges using a stream of consciousness approach.

Some More Questions to Pose

One of the things I do love about the Show Me Cards is that I can use them to ask questions but here are some more that might be useful.

  • Tell me about yourself!
  • How are you helping me?
  • What should I know about any message that you bring?
  • Is there anything I should be aware of?
  • What else do I need to know?

Tarot Memoirs

Writing an autobiography enables the author to claim their rightful place in history. Moreover, the author can tell their story in their voice. As a result, autobiographers plant flags that no one can remove. Future generations can then take these flags as the roadmap to a brighter tomorrow.

Writing an autobiography is a process that requires the author to explore their emotions at various junctions of their life. However, the autobiographical process reviews the author’s life with the benefit of hindsight. Hence, the healing process can consequently emerge.

As a renowned writer and journalist Graham Greene put it, “Writing is a form of therapy; sometimes I wonder how all those who do not write, compose, or paint can manage to escape the madness, melancholia, the panic, and fear which is inherent in a human situation.”


The Tarot cards Old Memories promotes itself as the way to open a secret meaning encrypted in your thoughts, and suggests that this deck of cards is will help to open memories. Lisa Papez has a whole series of Tarot Memoirs on her YouTube Channel which will help inspire you.

Lay out some cards that speak to you, check out this post about Autobiography as a Tarot Practice and spend some time drawing upon the well of remembrance.

Alternatively, grab your favourite deck and systematically go through the cards, drawing on the memories the cards invoke.

Pandemic Free Writing Zone

When Victoria went into its fifth lockdown last week, classes that I had offered in a couple of Library settings were cancelled. This is disappointing for everyone and adds to the cocktail of negative noise that we have all been dealing with. 

As Nitchke explains “the human brain has the capacity to imagine all the worst things that could happen. And the more uncertainty there is — especially if that uncertainty is coupled with gloomy hypotheticals — the more likely the brain is to conjure up and fixate on the worst-case scenarios.

I wish it were otherwise but we are going to be faced with uncertainty for quite some time! So I decided that one way of providing a tiny bit of certainty is to offer regular writing/art sessions in a Zoom setting. 

Participants will have a regular meeting time and projects (lockdown friendly if the need arises) to occupy themselves before meeting again.

The cost is $15 per a one and a half hour session.

If you are interested in joining a group of a maximum of 5 participants, for a block of 6 weeks, on a Tuesday evening at 8 pm AET simply email heatherblakey at fastmail dot fm. Other times can be made available depending on interest.

Writing for Wellness

Pens, crayons, pencils and IV tubes may not seem to have much in common but the arts are increasingly touted as a form of healing that can be as relevant to a patients wellbeing as medication. A developing body of research shows that expressive writing helps calm the mind and emotions, and increases feelings of happiness and wellbeing.

In this course we will use guided writing activities as a gentle approach to personal wellbeing. You will be offered tools which you can take away and use in your daily writing and art practice.

The enjoyable and easy-to-do activities will help you:

  • reunite with your most creative self
  • dip into Mnemosynes Well of Memory using simple lists as stepping stones
  • apply guided imageries and visual imagery as a kick starter to daily writing
  • alter your perspective by communicating with fragments of nature
  • experience the catharsis that comes with writing letters to past and future selves
  • create detailed portraitures
  • explore a range of emotions

About Heather Blakey

Heather Blakey has had over thirty years experience as a secondary school teacher in Melbourne’s Northern suburbs and she has recently graduated as a Master of Social Work at Monash University.

Between 2000 and 2010 she built and managed the critically acclaimed Soul Food Cafe a site which was acknowledged by Writers Digest and authors such as Sark and Jean Houston. While she no longer runs this labyrinthine website Soul Food informs how she works and has influenced writing courses that she runs regularly.

​Heather describes herself as a purveyor of stimuli and an artistic midwife. She has worked as a specialist teacher of writing with people of all ages and believes that the expressive arts, and writing in particular, not only promotes wellness in those who trust the process and engage but helps people identify and value their unique voice.

A Fools Journey

Once upon a time, long before there was once upon a time, an old crone decided that she needed to make one final creative journey and add another star to the constellation in the skies that shone within her private universe. She was not in the least surprised when a Raven and a Donkey insisted on coming along, for they had travelled with her before.

This image has an empty alt attribute; its file name is img_3949.jpeg

What did startle her was the arrival of a flamboyant, charismatic Sulphur Crested Cockatoo named Bonnie. She suspected that Bonnie was one of the flocks that had raided her beloved Ornamental Pistachio Tree each year because she was quite sure that she had seen and photographed a bird, with attitude, who looked just like her.

Duncan the Donkey made it clear that he was getting too old to carry heavy loads and while the Crone agreed that it would be good to travel lightly she did ask Duncan to carry some of her art supplies and made sure to tuck a few of her Tarot and Oracle cards into her bag. She had relied on them during the long ‘lockdowns’ and wasn’t about to go anywhere without her most trusted ones.

Bonnie’s sharp eye caught a glimpse of these boxed treasures and, because she is such an inquisitive bird, wanted to know more about them. The Crone began to explain the Major Arcana to her and was surprised to discover that Bonnie was more fascinated than any of her human friends had been.

“Perhaps you will teach me about these Majors as we travel” said Bonnie.

“What a good idea” said the Crone. “There is so much that I am yet to learn and we could always learn together”.

A Fools Journey

Brand Bonnie

From the Crone’s Diary

Other material of interest

Interested in Mythic Journey’s? Check out the work of Christopher Vogler and his book The Writers Journey

Aperture Stories

“Everyone has a story,” renowned anthropologist Barbara Myerhoff stated, and these stories “told to oneself and others can transform the world.” The name Story Aperture is inspired by Barbara Myerhoff, who described the way a personal story can provide an opening to understand not only one person’s life, but larger truths about the human experience.

Aperture stories are stories which come when we put the light on symbols to be found within Tarot, Oracle, Lenormand or Playing cards.  When we focus like on what the symbol is telling us, we are find deeper meanings which enable us to adapt and adjust our narrative. When we work with an aperture we see well beyond overt meanings and tap into important healing structures.

When we work intuitively with Lenormand, Tarot and Oracle cards we hold micro art galleries in our hand and we have access to insights that have been drawn from the collective unconsious.

When we use a camera it is the depth of field that will determine:

  1. where your viewer’s eye is drawn in a photograph, and
  2. whether or not the photograph is telling a story.

If we keep the camera lens in mind as we examine the cards that have emerged more light is shone on particular features. Often it is the understructure which reveals an entirely fresh model for telling a story. When we work intensively with an image it can help us  face a difficult situation or deal with and heal trauma.  

I have found it inspirational to sit with another person, over a Devonshire tea (Coffee), to sling cards, work intuitively and to listen to the stories that rise up. In the process of working out what the understructure is telling us, at a particular moment in time, we are telling aperture stories.