It will come as no surprise to anyone who has followed me on Instagram that I do not profess to be a Tarot reader. I certainly do not claim to be familiar with the meanings of all the cards. My primary interest has been exploring the potential of these mini galleries of art to inspire the creative arts and support healing.
I began the process by listening to Julie Andrews sing Getting to Know You as I shuffled the Everyday Witch cards. It was the Six of Pentacles, a card all about giving and receiving that emerged. So clearly the Witch depicted in this card is prepared to help even the playing field and share some of her knowledge with me; teach me about the world of Tarot.
So when I was told by an experienced Tarot reader that she wished that the Everyday Witch had been available when she was learning 20 years ago, that she strongly recommends this deck to beginners I figured it was time to go beyond the interview process and actually get to know this deck, get to know Tarot better. Of course I have made resolutions like this before but I am not going to beat myself up because I am aware that PTSD issues and the nature of technology have impacted on my capacity to focus.
For now it is my intention to set up some Tiny Tea each day and work with some cards. I am hoping to study the Everyday Witch in detail and draw comparisons with cards in other decks that I have in my collection.
This is the second part of a series where I follow the lead of Tracy @becoming_temperance who also makes videos about Tarot on YouTube. In this video she responds to a series of questions about her passion and since I am not into making videos I have decided to respond using WordPress, the internet medium I am most familiar with.
Show us your recent deck, Tarot, Oracle and Crystal.
Between December 2019 and February 2020 I went on a bit of a buying spree and bought a range of decks that I felt I simply had to have. I purchased the most recent, the Lions Gateway Tarot, by Jessica Henry, after seeing a walk through on Tracy’s Video Channel.
The most recent Oracle Deck that I acquired was the Sacred Sites Oracle. I confess that I have not worked with it much but it is a very interesting deck that will enable me to travel at a time when the pandemic is restricting all travel.
Since February I have stopped buying because I have enough decks for the moment and I need to take the time to work more closely with the ones that I have.
If you could share a tip with someone learning Tarot for the first time what would it be?
I am only interested in reading Tarot for myself and using it as an activator in the writing classes I run so I decided that I was not going to try to ‘learn’ Tarot or rely on standard interpretations.
When I stumbled upon The Art of Intuitive Tarot, a course that Gina Spriggs offers on Daily Om, I decided that this was a good place to being my journey. This course involved working with one deck and I used the Cosmic Tarot to complete the exercises she suggested.
Aside from this course it was venturing into the world of the Tarot Tuber Community that really spurred my interest. I found the deck and Tarot resource recommendations that these YouTube videos provided to be really fantastic. It is a great place to become familiar with what Tarot has to offer.
Above all I adhere to the notion of simply having fun and being playful with Tarot.
The first Tarot Tuber who I followed.
The first Tarot Tuber I followed was Simon Harrison. He describes himself as a professional Tarot Consultant based in Nottingham with over 30 years experience of reading the tarot.
He believes (through lived experience) that the tarot is a tool that can help provide us with insights and clarity to identify areas for improvement, find solutions to difficult decisions and arm us with additional information so that we are able to make more informed choices in various aspects of our lives.
There are a host of Tarot Tubers in the Tarot Tube Community. Another early favourite was Kasia at Tarot Map.
What was life before Tarot for you? Where did you come from?
I am an Australian who grew up in Gippsland, Victoria, Australia. If you put Heather Blakey – Daily Writing into Google you will learn more than you need about my online history as a Web Publisher, artistic midwife and purveyor of creative stimuli. Working with Tarot feels like a natural extension of my work with creative stimuli.
I ran the Soul Food Cafe for over ten years but stopped working it after compounding losses silenced me and took a toll on my capacity to be creative. I walked away from my former life, moved to regional Victoria from Melbourne and reinvented myself. Soul Food is now well archived in the Way Back Machine.
Favourite go to spread
My favourite go to spread is one that I use when I meet for an appointment to write. It is based on three cards. The first card identifies the issue we want to explore, the second sheds light on what may not help and the third offers a way forward.
For myself I like a deck to offer one message for the day.
Most anticipated deck of 2020
I eagerly anticipated the arrival of a number of decks and Tarot books early in 2020. One that I really looked forward to coming was the Sakki Sakki Tarot. I ordered it late in December and it seemed to take ages to come. I was thrilled when it, along with the companion book ‘Playing With Symbols’ arrived. This deck is now out of print. I regret not ordering the colouring book as well because I would photocopy some archetypes for participants in my classes.
What is on your Tarot Wishlist?
It is not surprising that Raecine (Owlmoon), a Tarot Community Tuber, has a huge following. She has an amazing collection of videos and her professionalism is outstanding. I trust her recommendations. She frequently makes reference to the Tarot of the Vampires and the dark imagery not only appeals but provides a contrast to decks I have in my collection.
I have a confession to make: before I started working with Liminal 11, I was pretty close-minded when it came to tarot cards! I grew up in southern Missouri – the buckle of the Bible Belt – which means my first impression of all things tarot came from a totally uninformed place. In fact, my experience with tarot was, up until a few months ago, limited solely to a fairly silly scene in the movie Now and Then (an old favourite of mine and nearly every ’90s girl I know).
Even as a much older person with a far more open mind, I wondered if tarot cards could ever appeal to my ‘rational’ side. It just never occurred to me that I could benefit from using tarot cards until I started really looking into it by Sarah Wray
After watching Tracy’s video where she responded to a series of questions about her relationship with Tarot I decided to follow her lead and talk about my new relationship with Tarot.
How did you get into Tarot or Oracle?
Many years ago I participated in a Jungian course at Monash University and the Head of English talked about her experience with Tarot. I was sufficiently intrigued to buy some Tarot decks and a book by Rachel Pollack but I confess that all this material sat on a shelf, unused.
It was not until I was completing a placement as a part of my Masters of Social Work that I was reintroduced to the magic of cards by my supervisor. She introduced me to Carolyn Myss’s Archetype cards and a beautiful set of Patchwork Life Cards. I didn’t take me many moments to appreciate how I could apply these in writing classes. It quickly became apparent that cards acted as activators in these classes and led to some wonderful work.
Needless to say it wasn’t long before I remembered that I had a small collection of decks that I had picked up and I began to look more closely at what they had to offer.
In December 2019 I made the commitment to learn about the wisdom of Tarot and the alchemical effects of working with it. I found the Tarot Community on YouTube and here I am, claiming to be a Tarot Midwife who uses Tarot to assist people birth their creative ideas.
Are you drawn more to Tarot or Oracle and why?
I am drawn to all kinds of cards and over the past twelve months I have invested quite a lot and added to my collection. It has all become quite addictive.
When I was binge watching YouTube videos during December and then as Australia burned during January, I came across Ouroboros. I was fascinated by the quality of all of Natalia’s videos, but when I watched her video about the psychology behind binge Tarot behaviour I identified that I was becoming a Tarot Junkie. I couldn’t deny that I was drawn to imagery of decks and that I found myself ‘needing’ to buy yet another deck that I had seen featured in a YouTube walk through.
I realised that these cards were feeding a malnourished inner aspect, helping to quench a thirst for a spiritual connection. They not only satisfied the inner child, who never did have the swap card collection other children in the small country town where I grew up had, but actually soothed me. They provided support as we seemed to face one crisis after another. They helped me adjust my perspective.
I enjoy pulling cards for myself and I have felt exhilarated when I made ‘appointments to write’ with people from my classes, pulled cards and saw how these cards led to really stimulating dialogues. Sadly the pandemic has put an end to some of these meetings but hopefully we will get back to being able to meet for coffee and cards again soon.
If you could create your own deck what would it be?
I would like to get back to drawing. There is no doubt that I have the time to do this. However, the ‘noise’ that has been generated by the global pandemic has made it harder for me to concentrate. At the moment I am satisfied to be able to complete an activity like this.
If I can bestir myself I would love to create a deck for myself that captures the magic of the journeys led by the Enchantress.
Show us your first deck whether it is Tarot or Oracle!
The interview spread is a really neat way to introduce yourself to a new tarot deck and allow it to introduce itself to you. Essentially, it’s a conversation about your potential working relationship, where you can discuss the deck’s strengths and limits and discover the best way to approach and use these cards.
Back in December 2019, after having worked with Tarot in my writing classes, I resolved to learn about the wisdom of Tarot and to identify the alchemical impact of Tarot on creativity.
Since we have been locked indoors because of the Corona Virus there is no doubt that ‘the noise’ generated from the media reports has impacted on me and reduced my capacity to concentrate.
Sol Invictus: The God Tarot is a deck that seeks to explore the many faces of the Divine Masculine through the stories of Gods, heroes, and historical men throughout the ages. Both Majors and Minors are fully illustrated, conveying the meanings of the cards as well as the myths of each particular deity/figure. The Court Cards have been renamed Awakening (Page), Quester (Knight), Nurturer (Queen), and Master (King) to better fit the deck’s God-oriented theme. Created by Kim Huggens, Nic Phillips
How often have you seen the divine masculine discussed or revered (as opposed to the divine feminine)? Be honest: not much. Maybe a few people here and there have touched on the matter … but overall people aren’t paying that much attention to the topic. Source: Loner Wolf
When a friend commented that she felt I had a strong masculine energy I was intrigued. It is not something I have thought about much and my friend’s comment prompted me to set out to learn more about masculine aspects and how they manifest themselves within me.
I invested in Sol Invictus: The God Tarot after discovering the review by Jennifer Pearson (see above). The companion book for this deck is incredibly well researched and I was excited to find such a diverse representation of Gods.
Sol Invictus – The God Tarot provides a wonderful balance to the Mother Peace deck and companion book by Vicki Noble and also complements Barbara Walkers Tarot and thoroughly researched companion book.
Another way is to study the picture of the Emperor in your deck for a few moments and jot down, without editing or censoring whatever you feel he might have to say in response to questions such as
What are you prepared to tell me about yourself.
What are your strengths?What are your limitations?
Who do you seek counsel from? Who do you trust?
What are you here to help me learn?
How could I effectively work with you?
Can we establish a partnership? Where is our partnership headed?
Choose another Emperor from those depicted in the image above or from another deck that you have. Compare the responses of the Emperor you have interviewed with what you glean from another of his counterparts. Maybe, after meditating on another depictions you might want to interview your first Emperor again.
The unique designs in Norbert Losche’s Cosmic Tarot deck bring ancient knowledge to modern readers through simple yet beautifully drawn images that resemble familiar figures in our lives. Source: tarot.com
The creator and artistic designer of the Cosmic Tarot was born in 1951 and currently lives in Aachen, Germany. He is a self-taught artist. He originally began his professional life as a surveyor, then studied the history of art before taking up painting. It was an interest in the esoteric that led him to the tarot — an interest which found the perfect means of expression in the creation of the Cosmic Tarot.
When I want to become familiar with a suit in a deck I like to lay out the Court Cards at the top and then lay out the ten cards so that I can formulate a story. In this instance we set the task of writing a fairy story.
I cannot remember when I acquired the Cosmic Tarot. I suspect it was way back in the day when I did a Jungian course at Monash University in Melbourne. Whatever! Having pulled this deck back out of the cupboard, I realised just what a compelling deck it is. The Cosmic Tarot features symbols and icons gathered from diverse eras and influences, including astrological, Qabalistic, and Golden Dawn attributions. For my purposes, the pictorial nature of the Cosmic Tarot makes it an ideal deck to work with in my writing groups.
In this instance, using the technique of stream of consciousness writing, I wrote a fairy story about Prince Gustav whose father, King Harold, insisted that the indulged Prince make his own way by living amongst the common folk, in disguise for an extended period.
I used the sequence of the cards to develop Gustav’s character arc over a twenty year period, culminating in his celebrated reunion with his parents.
Perhaps you will try this exercise and share a link to your work in the comment section.
About the Deck
When interviewed Norbert Losche said that “in creating this tarot, my intention is to make the old knowledge accessible and understandable to everyone by using a few secret symbols as possible. In our times, the search for transcendent meaning and self redemption has replaced the old mystical religions of a distant god. The tarot’s age-old knowledge is always quiet and reserved, yet it welcomes the seeker like an old friend. The tarot, with its dynamic concept of constant change, offers a doctrine for the New Age and thus becomes a reliable guide in this chaotic world of shifting social values.” (quoted by Jean Huets, Cosmic Tarot, US Games Systems, Inc, 1996, pg 6).
You might not think that a bunch of dead people would have much to say. However, a good graveyard can reveal a lot about the society that built it, from its history and its architecture to its superstitions. I have been to the original blockbuster cemetery, Pere Lachaise in Paris, Prague’s Jewish cemeteries and the oldest Christian cemetery in Penang. Here at home I regularly visit small, beautifully serene, historic cemeteries in the Central Goldfields, Victoria, Australia. There are so many narratives to be found in these often abandoned places.
When the Fool appeared it was very evident that the Martell’s were highlighting that life really is a Fool’s journey.
I am not sure where the idea came from but a week or so back I decided to revisit some of my favourite cemeteries to read some tarot cards with the long dead. (I confess that visiting cemeteries, armed with Tarot decks, is a bit different even by my standards.) I set out with my two companion animals, a picnic basket and a tarot deck.
At the Sandon Cemetery I stopped at an unmarked grave to ask about what kind of life the occupant had experienced. Not surprisingly, given the harshness of life on the early goldfields, the nine of rods spoke of a life filled with a lot of hard work.
Further on, at the Majorca cemetery, when I asked the Martell’s to share some wisdom out came the Fool from Monicka Clio Sakki’s Art Tarot Deck. I confess I was quite taken aback – stopped in my tracks long enough to take another photo that I could use as an avatar as I establish myself as a Tarot Midwife.
Perhaps I am on a Fool’s journey or maybe I am on to something quite profound. Time will tell!