Through techniques of pathworking (guided meditation), your imagination can shine a magic mirror on your personality. This inner landscape reveals your world as your unconscious sees it – a perspective that enables you to make dramatic changes.
Make an appointment to write! Join me, read Tarot over Tiny Tea and spend time working on your journal.
Joseph Gill’s The Gill Tarot, first published in 1991, is a beautiful deck to work intimately with and provides amazing imagery for those wanting to journal or path-work.
A pathworking takes you on a journey through an inner landscape. Path-working as a technique is derived from magical uses of the Kabbalistic Tree of Life. In that system, a path-working is a journey along one of the 22 paths of the Tree of Life, each of which has a specific set of landscape and symbolism associated with it (and corresponds to one of the twenty-two cards of the Major Arcana of the Tarot).
Alternatively you can engage in a visualisation by focusing on the specific images in front of you; sometimes the image tells a story or involves travelling through a landscape (real or imaginary); sometimes it is intended to bring about a specific result.
At other times you may dialogue with a aspect of your personality as represented by someone like Gill’s Queen of Cups.
Anastasia Riversleigh is just one of my alter egos. She is a member of the Skull Clan who is currently working, primarily, with the Tarot of the Vampyres. Given that she is taking this opportunity to do important shadow work she will be leaning on numerous decks and other resources.
Visit her and you will find a detailed journal which records her newest adventure, in residence, living and playing with many interesting internal characters at Shadwell Manor and on the old Ghostly Spanish Galleon that sails the seven seas.
The unique designs in Norbert Losche’s Cosmic Tarot deck bring ancient knowledge to modern readers through simple yet beautifully drawn images that resemble familiar figures in our lives. Source: tarot.com
The creator and artistic designer of the Cosmic Tarot was born in 1951 and currently lives in Aachen, Germany. He is a self-taught artist. He originally began his professional life as a surveyor, then studied the history of art before taking up painting. It was an interest in the esoteric that led him to the tarot — an interest which found the perfect means of expression in the creation of the Cosmic Tarot.
When I want to become familiar with a suit in a deck I like to lay out the Court Cards at the top and then lay out the ten cards so that I can formulate a story. In this instance we set the task of writing a fairy story.
I cannot remember when I acquired the Cosmic Tarot. I suspect it was way back in the day when I did a Jungian course at Monash University in Melbourne. Whatever! Having pulled this deck back out of the cupboard, I realised just what a compelling deck it is. The Cosmic Tarot features symbols and icons gathered from diverse eras and influences, including astrological, Qabalistic, and Golden Dawn attributions. For my purposes, the pictorial nature of the Cosmic Tarot makes it an ideal deck to work with in my writing groups.
In this instance, using the technique of stream of consciousness writing, I wrote a fairy story about Prince Gustav whose father, King Harold, insisted that the indulged Prince make his own way by living amongst the common folk, in disguise for an extended period.
I used the sequence of the cards to develop Gustav’s character arc over a twenty year period, culminating in his celebrated reunion with his parents.
Perhaps you will try this exercise and share a link to your work in the comment section.
About the Deck
When interviewed Norbert Losche said that “in creating this tarot, my intention is to make the old knowledge accessible and understandable to everyone by using a few secret symbols as possible. In our times, the search for transcendent meaning and self redemption has replaced the old mystical religions of a distant god. The tarot’s age-old knowledge is always quiet and reserved, yet it welcomes the seeker like an old friend. The tarot, with its dynamic concept of constant change, offers a doctrine for the New Age and thus becomes a reliable guide in this chaotic world of shifting social values.” (quoted by Jean Huets, Cosmic Tarot, US Games Systems, Inc, 1996, pg 6).
Alison and I have had a regular appointment. We meet at a local coffee shop to touch base and talk about our creative projects. Alison is about to begin a Masters of Dance. It will be a big year for her as she explores how to weave material she has gathered about an ancestor into her work. Today, after we had chatted for awhile, we slung some Royal Mischief Playing Cards. The macabre nature of this deck, a deck that seemed to insist I take it out today, really resonated for Alison as she explores a divergent pathway.
The Morgan Tarot is a brilliant graphics-based, pocket sized essay on the 1970’s blending of Eastern and Western mystical traditions. It is more in tune with modern sensibilities than a traditional Tarot deck, but fully capable of delivering the same oblique gestalt, the same intensity of insight, the same connection with a larger tradition. Vastly superior to any other modern cue-card level tool (such as an angel deck or an affirmation-a-day deck) this deck provides both belly-laughs and thoughtful interior review. I consider it one of the crown-jewels of any Tarot deck collection. If I could have only three decks, this would be one of them.
Source: Amazon Review by C. Olmstead