Sahmain – Creativity Spread

Those who work with me know that I am a purveyor of creative stimuli, an artistic midwife who has worked as a specialist teacher of writing for decades. While I have worked in this field all my life, I have known fallow times so I do like to regularly take my creative pulse. Working with a Tarot Spread is a good way of taking one’s creative pulse.

There are a vast array of spreads available online and in books that specialise in presenting a diverse range of tarot spreads, suited to all occaisons. I like this particular spread because it helps me keep on track and monitor progress, particularly as, in November 2019, I committed to spending years working closely with symbols and to learning more about how they can ignite the creative flame and draw out words that are so often trapped behind internal walls of steel.

1. What does my creativity want to say? 2. What are my creative strengths? 3. What are my creative challenges? 4. How does my creativity speak to me? 5. How can I best focus on my creativity moving forward?

As a New Year in my creative life dawns I decided to use a spread presented by @thepathtarot. I decided to use the Sakki Sakki Tarot because Monika Clio Sakki has specifically focused on providing Tarot and  a Companion Book which actively supports creative journeys.

Rather than lay the cards out as suggested I chose to lay them out on a hand, with the first card beginning at the thumb and the five cards moving back towards the little finger. I also asked my Runes to strengthen the reading by offering three messages for me.

Not surprisingly this reading proved quite challenging, especially with the appearance of two cards which are universally regarded as ‘darker’ cards. Ultimately it was the Runes which completed the picture for me.

  1. My creativity wants me to know that I am gestating, that I am pregnant wth possibility. She reminds me that true creations come at the right time.
  2. The Six of Cups tells me that the way I played as a child has nurtured my creativity and has been a constant source of strength. I stop and remember Archie Hair, an old friend from my childhood, his Box of Natural Wonders, his treasure hunts and his playfulness. I know that he passed these gifts on to me and that they are a key to my creativity.
  3. Experience has shown me that in times of sadness, grief and disappointment my creativity wanes and I have been silenced for significant periods of time. Given the recent death of my beautiful Neeky, a beloved companion for the past ten years, I am mindful that I need to be careful not to be silenced by the grief I am feeling. I am so aware of the huge void she has left.
  4. The Seven of Swords is not usually well received but in this instance the seven of swords represents the power of thoughts. The swords represent aspects of my thought processes. My creativity keeps insisting that I think as strategically, as possible, that I find the gold in the troubled times, that I gather ideas, research and keep moving forward.
  5. I keep moving forward, try not to dwell in the past, because I know that the very swords that have pierced my heart have ultimately fuelled my creativity. I honour my scars and heart wounds.

Three messages from the Runes

  • Raido: I am no longer burdened by what I have left pinned to the ground and left behind
  • Jera: The ground is fertile and ready to be planted
  • Othila: It is time to shed old skins

 

Will You Follow The Lead?

When you trust the process and allow yourself to step outside the square your imagination is kick started and you can take off in amazingly diverse directions.

Maybe you do not have a young calf to read too but there are plenty of alternatives that will lead to rich journal entries.

Last year I took along a whole lot of children’s picture story books to my Writing for Wellness class and asked the participants to go outside and read a story to a tree and then write about how the tree responded. Perhaps surprisingly no one resisted.

Upon his relatively quick return I asked James if he had actually read ‘Harry the Dirty Dog’ to a tree. “Of course” he said. As we waited for others to return our conversation led to me asking him what he had done before retiring. ” I taught Professional Writing at a TAFE” he said without blinking an eye. Needless to say I fell about laughing and said he must have found this class to be a ‘bit different’.  He smiled his charming smile and told me that he had found it all quite challenging – then went on to write the most stunning piece in the allocated fifteen minutes.

In my capacity as the Tarot Midwife I have taken to revisiting historic cemeteries in my region to test run some ideas about communicating with inanimate objects for upcoming courses.

Recently, on one of my expeditions, I found the grave of David Jenkin Davies, who came to Australia from Glamorganshire South Wales and was accidentally killed at the Brunswick Mine in 1870. He was just 27 years old when he died. I kneeled by his grave, placed a white cockatoo feather on his grave and asked if he would communicate a message through my Tarot Deck. I shuffled the cards and The Devil emerged.

Obviously one could interpret this message in many ways. I did not take it to mean that he had gone to some kind of hell. There are many ways you can interpret the Devil card. Indeed, I took it to mean that he was dancing for joy that he had been given the opportunity to let me know that his death had all been out of his control; that he had mourned a life cut short due to the negligence of greedy gold seeking devils who had no regard for the well being of others, whose negligence led to his untimely death.

Will you follow the lead, test run an idea and share it with me in the comment box?

Seeking Inspiration – Mystery Tarot Tours

You might not think that a bunch of dead people would have much to say. However, a good graveyard can reveal a lot about the society that built it, from its history and its architecture to its superstitions. I have been to the original blockbuster cemetery, Pere Lachaise in Paris, Prague’s  Jewish cemeteries and the oldest Christian cemetery in Penang. Here at home I regularly visit small, beautifully serene, historic cemeteries in the Central Goldfields, Victoria, Australia. There are so many narratives to be found in these often abandoned places.

Recently I set out on my first Mystery Tarot Tour. Friends love it when I suggest that we go on one of Akari’s (my Mazda 3) mystery tours. Sometimes I take writers, seeking inspiration, to historic cemeteries. All those headstones have a story to tell.

I am not sure where the idea came from but a week or so back  I decided to revisit some of my favourite cemeteries to read some tarot cards with the long dead.  (I confess that visiting cemeteries, armed with Tarot decks, is a bit different even by my standards.) I set out  with my two companion animals, a picnic basket and a tarot deck.

At the Sandon Cemetery I stopped at an unmarked grave to ask about what kind of life the occupant had experienced. Not surprisingly, given the harshness of life on the early goldfields, the nine of rods spoke of a life filled with a lot of hard work.

Further on, at the Majorca cemetery, when I asked the Martell’s to share some wisdom out came the Fool from Monicka Clio Sakki’s Art Tarot Deck. I confess I was quite taken aback – stopped in my tracks long enough to take another photo that I could use as an avatar as I establish myself as a Tarot Midwife.

Perhaps I am on a Fool’s journey or maybe I am on to something quite profound. Time will tell!

The Deck I Used:

People who know my track record online know that I am not into reinventing the wheel. Asali Earthwork provide a great review of the Sakki Sakki Tarot deck. Personally I feel it is essential to have the companion book and I lashed out and acquired the colouring book as well. Perfect for my writing classes to choose an archetype and meditate while colouring it in. A stream of words always materialises.  Also, this flip through on YouTube shows you exactly what this deck is like. I always watch flip throughs before investing. Photo by The Tarot Midwife.

Blue Hat Thinking – Beginning a Writing Course

“Creativity involves breaking out of established patterns in order to look at things in a different way.”

“Creative thinking – in terms of idea creativity – is not a mystical talent. It is a skill that can be practiced and nurtured.”

Edward de Bono

Over the centuries people have struggled to explain why Tarot Cards work and, quite frankly, the vast number of people, often influenced by church leaders, dismiss them as being the tool of the devil.

Over the past eighteen months I have found it illuminating to discover the power of Tarot and Oracle cards. I have been amazed at the imaginative ways in which these cards can be used.

Vincent Pitisci claims to have cracked the mystery of how Tarot Cards work and quite frankly I agree with him completely. I have found that Tarot cards are an indispensable tool when I am wanting to lead creative thinking activities in a group session. Tarot cards facilitate conceptual blending, a technique used by heads of creative departments all over the world.

So, these days I stand on the shoulders of someone like Edward De Bono and I have created a Blue Hat Thinking spread to use with participants at the beginning of a course. I do this because it generates such lively dialogue and everyone is amazed by what emerges.

Here is an abbreviated example of how I use the Blue Hat Card Spread. I emphasise that this is not a predictive exercise. I do not believe the cards are capable of predicting anything. I believe they simply stimulate our thinking process and encourage us to use our imagination. When we work with a spread like this we are critically analysing, reflecting and gaining insight into what we are really seeking to achieve. It helps us clarify our goals.

In this instance I am using Monicka Clio Sakki’s Tarot and Companion Book because when she created all of this she directed her energy towards facilitating the creative journey. The four questions we examine as we seek clarity and direction are:

Where have we been?

Where are we now?

Where do we want to be?

How do we get there?

We begin by pausing and grounding. I like to use a stillness and silence meditation. There are many options online!

In this case I am doing the exercise for myself. I shuffle the deck many times. I use a variety of gentle shuffling methods. You do whatever works for you.

I am fully prepared to ‘unknow’ – to take advantage of a moment of blankness and be prepared to receive what the deck has to tell me.

Here are the cards I shuffled and laid out from left to right.

So let us look at them! Where have I been? I turn over the first card and reflect upon where I have been in my creative journey.

The Seven of Coins draws out memories of what my creative life looked like and how I worked for many years. I affectionately remember the wild garden I spent so many years creating. It involved an incredible amount of time spent online and saw the rise and success of the Soul Food Cafe, a site, which in its hey day drew thousands of visitors and featured the work of an eclectic group of writers and artists. However, with the rise of Facebook, when the landscape of the internet changed and my life hit a ‘Tower’ phase I laid down the hoe and stopped working Soul Food. I needed to have a break and hope that a whole picture would eventually emerge.

Where am I now? I turn over the second card and reflect upon where I am now.

A muscly figure is guiding a chariot pulled by brightly coloured dragons. The driver does appear to be in control as he drives the dragons but if he is going to maintain this control he is going to need to stay alert and focused. Keeping dragons like this together is quite a challenge. I confess I do feel like the chariot driver as I embark on a new phase and begin a project that I am expecting to devote ten years to. Frankly it has been decidedly overwhelming as I gather all my resources and see just how complex this whole field is.

Where do I want to be? I turn over the third card and reflect upon where I want to be.

I want to be the Alchemist who combines things that do not usually go together. Temperance implies moderation in action, thought and feeling. I want to be seen as someone whose mastery of mixed elements seems absolutely effortless

How do I get there? I turn over the fourth card and reflect upon how to get to where I want to be.

I do not have to think too hard about this. I AM the Queen of Swords. I am independent and exercise both physical and mental freedom. I am interesting and interested and I have very high ideals. My perception, logic and creativity is hard to match. I am honest and can be very witty – and of course, I am very humble :-). Although I communicate well I need a lot of time alone to invest in my creative pursuits. I have the time and can think clearly enough to get to where I want to be.